The post-perspectival: screens and time in David Lynch's Inland Empire
Taking Anne Friedberg's notion of the post-perspectival as the point of departure for her analysis of David Lynch's digitally shot and edited Inland Empire from 2006, Anne Jerslev argues that the film deconstructs continuous time and coherent space by constructing multiple plan...
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| Format: | Article |
| Language: | English |
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Taylor & Francis Group
2012-03-01
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| Series: | Journal of Aesthetics & Culture |
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| Online Access: | http://www.aestheticsandculture.net/index.php/jac/article/view/17298/21114 |