Passée la porte, il n’y a rien que du vent : Southern et Western, du désenchantement au crépuscule
Southern melodrama can be understood as a generic enclave rooted in traditional melodrama which borrows from the Western genre not only its interrelated historical framework, particular rites, but its recognizable characters, decors, costumes and coded situations. The...
Main Author: | Christian Viviani |
---|---|
Format: | Article |
Language: | English |
Published: |
Maison de la Recherche en Sciences Humaines
2018-07-01
|
Series: | Revue LISA |
Subjects: | |
Online Access: | http://journals.openedition.org/lisa/9239 |
Similar Items
-
Imagens divergentes, \"conciliação\" histórica: memória, melodrama e documentário nos filmes O que é isso, companheiro: E Hércules 56
by: Fernando Seliprandy Fernandes
Published: (2012) -
Imagens divergentes, \"conciliação\" histórica: memória, melodrama e documentário nos filmes O que é isso, companheiro: E Hércules 56
by: Fernandes, Fernando Seliprandy
Published: (2012) -
Melodrama, uma poética do povo
by: Danielle Crepaldi Carvalho
Published: (2014-12-01) -
Ambivalent passion : Pedro Almodóvar's postmodern melodrama
by: Cromb, Brenda
Published: (2009) -
Ambivalent passion : Pedro Almodóvar's postmodern melodrama
by: Cromb, Brenda
Published: (2009)