Os Filmes (D)escritos de Ana Teresa Pereira: Nightmare, de Alfred Hitchcock, e The Double, de David Cronenberg

Starting with a comparative reading of an ekphrastic text by Callistratus (3rd century AD) and taking support from various studies on ekphrasis as a literary practice, from antiquity to present times until its acceptance as an intermedial literary genre, it is our goal to analyze two short stories b...

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Main Author: Amândio Pereira Reis
Format: Article
Language:English
Published: Imprensa da Universidade de Coimbra 2014-03-01
Series:MatLit : Materialidades da Literatura
Subjects:
Online Access:http://iduc.uc.pt/index.php/matlit/article/view/1658
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spelling doaj-b1da7b9b9d694187a06b7ad0c7b451312021-04-02T11:57:53ZengImprensa da Universidade de CoimbraMatLit : Materialidades da Literatura2182-88302182-88302014-03-01122538doi:10.14195/2182-8830_1-2_2Os Filmes (D)escritos de Ana Teresa Pereira: Nightmare, de Alfred Hitchcock, e The Double, de David CronenbergAmândio Pereira Reis0Faculdade de Letras da Universidade de LisboaStarting with a comparative reading of an ekphrastic text by Callistratus (3rd century AD) and taking support from various studies on ekphrasis as a literary practice, from antiquity to present times until its acceptance as an intermedial literary genre, it is our goal to analyze two short stories by Ana Teresa Pereira which invent non-existent films by Hitchcock and Cronenberg. Therefore, we will have to confront a range of problems associated with ekphrastic description – the dialectic between reality and fiction; truth and falsity; imagination and reading – and with the (im)possibilities of representation through image and/or words, including a set of questions posed by the specific transmedial relation that A. T. Pereira’s texts establish between Literature and Cinema. We will also take into account the concept of Pavle Levi’s “written film” as one possibility, among others, of genre identification for these narratives.http://iduc.uc.pt/index.php/matlit/article/view/1658EkphrasisIntermediaLiterature and CinemaPostmodernismWritten Film
collection DOAJ
language English
format Article
sources DOAJ
author Amândio Pereira Reis
spellingShingle Amândio Pereira Reis
Os Filmes (D)escritos de Ana Teresa Pereira: Nightmare, de Alfred Hitchcock, e The Double, de David Cronenberg
MatLit : Materialidades da Literatura
Ekphrasis
Intermedia
Literature and Cinema
Postmodernism
Written Film
author_facet Amândio Pereira Reis
author_sort Amândio Pereira Reis
title Os Filmes (D)escritos de Ana Teresa Pereira: Nightmare, de Alfred Hitchcock, e The Double, de David Cronenberg
title_short Os Filmes (D)escritos de Ana Teresa Pereira: Nightmare, de Alfred Hitchcock, e The Double, de David Cronenberg
title_full Os Filmes (D)escritos de Ana Teresa Pereira: Nightmare, de Alfred Hitchcock, e The Double, de David Cronenberg
title_fullStr Os Filmes (D)escritos de Ana Teresa Pereira: Nightmare, de Alfred Hitchcock, e The Double, de David Cronenberg
title_full_unstemmed Os Filmes (D)escritos de Ana Teresa Pereira: Nightmare, de Alfred Hitchcock, e The Double, de David Cronenberg
title_sort os filmes (d)escritos de ana teresa pereira: nightmare, de alfred hitchcock, e the double, de david cronenberg
publisher Imprensa da Universidade de Coimbra
series MatLit : Materialidades da Literatura
issn 2182-8830
2182-8830
publishDate 2014-03-01
description Starting with a comparative reading of an ekphrastic text by Callistratus (3rd century AD) and taking support from various studies on ekphrasis as a literary practice, from antiquity to present times until its acceptance as an intermedial literary genre, it is our goal to analyze two short stories by Ana Teresa Pereira which invent non-existent films by Hitchcock and Cronenberg. Therefore, we will have to confront a range of problems associated with ekphrastic description – the dialectic between reality and fiction; truth and falsity; imagination and reading – and with the (im)possibilities of representation through image and/or words, including a set of questions posed by the specific transmedial relation that A. T. Pereira’s texts establish between Literature and Cinema. We will also take into account the concept of Pavle Levi’s “written film” as one possibility, among others, of genre identification for these narratives.
topic Ekphrasis
Intermedia
Literature and Cinema
Postmodernism
Written Film
url http://iduc.uc.pt/index.php/matlit/article/view/1658
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