Praying with the senses: Examples of icon devotion and the sensory experience in medieval and early modern Balkans

This paper discusses sensory experience in the practice of devotion of two highly venerated icons in medieval and Early Modern Balkans: the mosaic icon of the Virgin Hodegetria from the monastery of Chilandar and the icon of Gospa of Škrpjela (Our Lady of the Reef) from the Bay of Kotor. Al...

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Main Authors: Brajović Saša, Erdeljan Jelena
Format: Article
Language:deu
Published: Faculty of Philosophy, Belgrade 2015-01-01
Series:Zograf
Subjects:
Online Access:http://www.doiserbia.nb.rs/img/doi/0350-1361/2015/0350-13611539057B.pdf
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spelling doaj-b1a570089c0a462482c6c5461502c0a62020-11-24T21:05:18ZdeuFaculty of Philosophy, BelgradeZograf0350-13612406-07552015-01-01201539576310.2298/ZOG1539057B0350-13611539057BPraying with the senses: Examples of icon devotion and the sensory experience in medieval and early modern BalkansBrajović Saša0Erdeljan Jelena1Faculty of Philosophy, BelgradeFaculty of Philosophy, BelgradeThis paper discusses sensory experience in the practice of devotion of two highly venerated icons in medieval and Early Modern Balkans: the mosaic icon of the Virgin Hodegetria from the monastery of Chilandar and the icon of Gospa of Škrpjela (Our Lady of the Reef) from the Bay of Kotor. Although part of two different, albeit historically intertwined and perpetually connected cultural and liturgical spheres, icon veneration in both the Orthodox and the Catholic community of the broader Mediterranean world and the Balkans in medieval and Early Modern times shares the same source. It relies on the traditional Byzantine manner of icon veneration. This is particularly true of highly venerated and often miracle working images of the Mother of God, identity markers of political, social and religious entities, objects of private devotion as well as performative objects around which are centered public rituals of liturgical processions and ephemeral spectacles.http://www.doiserbia.nb.rs/img/doi/0350-1361/2015/0350-13611539057B.pdfMother of GodHodegetriaGospa od Škrpjelaicon venerationsensory experiencemedieval SerbiaBay of Kotor in early modern times
collection DOAJ
language deu
format Article
sources DOAJ
author Brajović Saša
Erdeljan Jelena
spellingShingle Brajović Saša
Erdeljan Jelena
Praying with the senses: Examples of icon devotion and the sensory experience in medieval and early modern Balkans
Zograf
Mother of God
Hodegetria
Gospa od Škrpjela
icon veneration
sensory experience
medieval Serbia
Bay of Kotor in early modern times
author_facet Brajović Saša
Erdeljan Jelena
author_sort Brajović Saša
title Praying with the senses: Examples of icon devotion and the sensory experience in medieval and early modern Balkans
title_short Praying with the senses: Examples of icon devotion and the sensory experience in medieval and early modern Balkans
title_full Praying with the senses: Examples of icon devotion and the sensory experience in medieval and early modern Balkans
title_fullStr Praying with the senses: Examples of icon devotion and the sensory experience in medieval and early modern Balkans
title_full_unstemmed Praying with the senses: Examples of icon devotion and the sensory experience in medieval and early modern Balkans
title_sort praying with the senses: examples of icon devotion and the sensory experience in medieval and early modern balkans
publisher Faculty of Philosophy, Belgrade
series Zograf
issn 0350-1361
2406-0755
publishDate 2015-01-01
description This paper discusses sensory experience in the practice of devotion of two highly venerated icons in medieval and Early Modern Balkans: the mosaic icon of the Virgin Hodegetria from the monastery of Chilandar and the icon of Gospa of Škrpjela (Our Lady of the Reef) from the Bay of Kotor. Although part of two different, albeit historically intertwined and perpetually connected cultural and liturgical spheres, icon veneration in both the Orthodox and the Catholic community of the broader Mediterranean world and the Balkans in medieval and Early Modern times shares the same source. It relies on the traditional Byzantine manner of icon veneration. This is particularly true of highly venerated and often miracle working images of the Mother of God, identity markers of political, social and religious entities, objects of private devotion as well as performative objects around which are centered public rituals of liturgical processions and ephemeral spectacles.
topic Mother of God
Hodegetria
Gospa od Škrpjela
icon veneration
sensory experience
medieval Serbia
Bay of Kotor in early modern times
url http://www.doiserbia.nb.rs/img/doi/0350-1361/2015/0350-13611539057B.pdf
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