« Je m’en souviens comme si c’était hier : sur l’écran, la silhouette de l’aigle allemand… »

The article is based on sources from Ukrainian, German and Russian archives, on oral history and on museum collections. It enquires into the role the cinema played in everyday life of the population in the Eastern regions of the Ukraine during Nazi occupation. It shows how the Nazi propaganda organi...

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Main Author: Dmitri Titarenko
Format: Article
Language:deu
Published: Conserveries Mémorielles 2020-09-01
Series:Conserveries Mémorielles : Revue Transdisciplinaire de Jeunes Chercheurs
Subjects:
Online Access:http://journals.openedition.org/cm/4731
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spelling doaj-b0c84ab0d06c412a8e31f1f39b544e6d2020-11-25T03:59:04ZdeuConserveries MémoriellesConserveries Mémorielles : Revue Transdisciplinaire de Jeunes Chercheurs1718-55562020-09-01« Je m’en souviens comme si c’était hier : sur l’écran, la silhouette de l’aigle allemand… »Dmitri TitarenkoThe article is based on sources from Ukrainian, German and Russian archives, on oral history and on museum collections. It enquires into the role the cinema played in everyday life of the population in the Eastern regions of the Ukraine during Nazi occupation. It shows how the Nazi propaganda organisations launched their film policy and how they strangely implemented it in the military administration zone. The film programs are analysed in detail in the article, with an emphasis on feature films, propaganda films and on releases of the ‘Deutsche Wochenschau’. Cinema is seen as an integral part of the cultural and propaganda landscape of the occupied regions. The article throws light on people’s cinema-going experience and analyses impact pictures had on their minds. The article states that the cinema not only provided its audience with information and added to the creation of propagandistic stereotypes, but cinema-going also became for them an important means for temporary relaxation and psycho-emotional relief.http://journals.openedition.org/cm/4731UkraineNazi occupationeveryday lifepropagandamilitary administration zone cinema exhibition
collection DOAJ
language deu
format Article
sources DOAJ
author Dmitri Titarenko
spellingShingle Dmitri Titarenko
« Je m’en souviens comme si c’était hier : sur l’écran, la silhouette de l’aigle allemand… »
Conserveries Mémorielles : Revue Transdisciplinaire de Jeunes Chercheurs
Ukraine
Nazi occupation
everyday life
propaganda
military administration zone
 cinema exhibition
author_facet Dmitri Titarenko
author_sort Dmitri Titarenko
title « Je m’en souviens comme si c’était hier : sur l’écran, la silhouette de l’aigle allemand… »
title_short « Je m’en souviens comme si c’était hier : sur l’écran, la silhouette de l’aigle allemand… »
title_full « Je m’en souviens comme si c’était hier : sur l’écran, la silhouette de l’aigle allemand… »
title_fullStr « Je m’en souviens comme si c’était hier : sur l’écran, la silhouette de l’aigle allemand… »
title_full_unstemmed « Je m’en souviens comme si c’était hier : sur l’écran, la silhouette de l’aigle allemand… »
title_sort « je m’en souviens comme si c’était hier : sur l’écran, la silhouette de l’aigle allemand… »
publisher Conserveries Mémorielles
series Conserveries Mémorielles : Revue Transdisciplinaire de Jeunes Chercheurs
issn 1718-5556
publishDate 2020-09-01
description The article is based on sources from Ukrainian, German and Russian archives, on oral history and on museum collections. It enquires into the role the cinema played in everyday life of the population in the Eastern regions of the Ukraine during Nazi occupation. It shows how the Nazi propaganda organisations launched their film policy and how they strangely implemented it in the military administration zone. The film programs are analysed in detail in the article, with an emphasis on feature films, propaganda films and on releases of the ‘Deutsche Wochenschau’. Cinema is seen as an integral part of the cultural and propaganda landscape of the occupied regions. The article throws light on people’s cinema-going experience and analyses impact pictures had on their minds. The article states that the cinema not only provided its audience with information and added to the creation of propagandistic stereotypes, but cinema-going also became for them an important means for temporary relaxation and psycho-emotional relief.
topic Ukraine
Nazi occupation
everyday life
propaganda
military administration zone
 cinema exhibition
url http://journals.openedition.org/cm/4731
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