Histoire, mémoire et fiction dans le cinéma américain contemporain

The relation between cinema and history, between the past as we know it and its representation on the screen is a fascinating subject. However, inducing this topic without a reference to the viewer cannot be as complete as it should be because it neglects the problematical theme of the spectator’s m...

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Main Author: Elie Yazbek
Format: Article
Language:deu
Published: Conserveries Mémorielles 2011-04-01
Series:Conserveries Mémorielles : Revue Transdisciplinaire de Jeunes Chercheurs
Online Access:http://journals.openedition.org/cm/832
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spelling doaj-b0682ffa4e264a0c9d78922baf78a6302020-11-25T00:05:03ZdeuConserveries MémoriellesConserveries Mémorielles : Revue Transdisciplinaire de Jeunes Chercheurs1718-55562011-04-019Histoire, mémoire et fiction dans le cinéma américain contemporainElie YazbekThe relation between cinema and history, between the past as we know it and its representation on the screen is a fascinating subject. However, inducing this topic without a reference to the viewer cannot be as complete as it should be because it neglects the problematical theme of the spectator’s memory, his situation facing a specific event and in front of the image of this event. This essential issue about the connection between history, its representation in films and the condition of the viewer involved into a scheme in which his “ memory flow”, emotions, and souvenirs are concerned, a scheme trying to replace the elapsed memories, is the subject if this essay.http://journals.openedition.org/cm/832
collection DOAJ
language deu
format Article
sources DOAJ
author Elie Yazbek
spellingShingle Elie Yazbek
Histoire, mémoire et fiction dans le cinéma américain contemporain
Conserveries Mémorielles : Revue Transdisciplinaire de Jeunes Chercheurs
author_facet Elie Yazbek
author_sort Elie Yazbek
title Histoire, mémoire et fiction dans le cinéma américain contemporain
title_short Histoire, mémoire et fiction dans le cinéma américain contemporain
title_full Histoire, mémoire et fiction dans le cinéma américain contemporain
title_fullStr Histoire, mémoire et fiction dans le cinéma américain contemporain
title_full_unstemmed Histoire, mémoire et fiction dans le cinéma américain contemporain
title_sort histoire, mémoire et fiction dans le cinéma américain contemporain
publisher Conserveries Mémorielles
series Conserveries Mémorielles : Revue Transdisciplinaire de Jeunes Chercheurs
issn 1718-5556
publishDate 2011-04-01
description The relation between cinema and history, between the past as we know it and its representation on the screen is a fascinating subject. However, inducing this topic without a reference to the viewer cannot be as complete as it should be because it neglects the problematical theme of the spectator’s memory, his situation facing a specific event and in front of the image of this event. This essential issue about the connection between history, its representation in films and the condition of the viewer involved into a scheme in which his “ memory flow”, emotions, and souvenirs are concerned, a scheme trying to replace the elapsed memories, is the subject if this essay.
url http://journals.openedition.org/cm/832
work_keys_str_mv AT elieyazbek histoirememoireetfictiondanslecinemaamericaincontemporain
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