Sociology of music. Classical theories and starting points in the definition of discipline / La sociología de la música. Teorías clásicas y puntos de partida en la definición de la disciplina

Sociology of music. Classical theories and starting points in the definition of discipline / La sociología de la música. Teorías clásicas y puntos de partida en la definición de la disciplina

Music is a means of perceiving the world and an instrument of knowledge. Music contributes to the social construction of reality and sociology has always shown a special interest in its study. The current sociological studies of music analyze the process of interaction between music and society, tak...

Full description

Bibliographic Details
Main Author: Jaime Hormigos Ruiz
Format: Article
Language:deu
Published: Asociacion Castellano-Manchega de Sociologia (ACMS) 2012-10-01
Series:Barataria : Revista Castellano-Manchega de Ciencias Sociales
Subjects:
Sociology of music
classical sociological theory
Georg Simmel
Max Weber
Theodor W. Adorno
Online Access:https://revistabarataria.es/web/index.php/rb/article/view/102
id doaj-afbf7dfe781c474d91496b201fa1d04f
record_format Article
spelling doaj-afbf7dfe781c474d91496b201fa1d04f2020-11-25T01:29:34ZdeuAsociacion Castellano-Manchega de Sociologia (ACMS)Barataria : Revista Castellano-Manchega de Ciencias Sociales1575-08252172-31842012-10-01147584http://dx.doi.org/10.20932/barataria.v0i14.102Sociology of music. Classical theories and starting points in the definition of discipline / La sociología de la música. Teorías clásicas y puntos de partida en la definición de la disciplina Jaime Hormigos Ruiz0Universidad Rey Juan Carlos, Madrid. España/SpainMusic is a means of perceiving the world and an instrument of knowledge. Music contributes to the social construction of reality and sociology has always shown a special interest in its study. The current sociological studies of music analyze the process of interaction between music and society, taking in account particularly the various forms of attitude arising in this connection. This paper research analyzes the sociological theories of G. Simmel, M. Weber, and Th. W. Adorno as starting point to build the theoretical sociology of music.https://revistabarataria.es/web/index.php/rb/article/view/102Sociology of musicclassical sociological theoryGeorg SimmelMax WeberTheodor W. Adorno
collection DOAJ
language deu
format Article
sources DOAJ
author Jaime Hormigos Ruiz
spellingShingle Jaime Hormigos Ruiz
Sociology of music. Classical theories and starting points in the definition of discipline / La sociología de la música. Teorías clásicas y puntos de partida en la definición de la disciplina
Barataria : Revista Castellano-Manchega de Ciencias Sociales
Sociology of music
classical sociological theory
Georg Simmel
Max Weber
Theodor W. Adorno
author_facet Jaime Hormigos Ruiz
author_sort Jaime Hormigos Ruiz
title Sociology of music. Classical theories and starting points in the definition of discipline / La sociología de la música. Teorías clásicas y puntos de partida en la definición de la disciplina
title_short Sociology of music. Classical theories and starting points in the definition of discipline / La sociología de la música. Teorías clásicas y puntos de partida en la definición de la disciplina
title_full Sociology of music. Classical theories and starting points in the definition of discipline / La sociología de la música. Teorías clásicas y puntos de partida en la definición de la disciplina
title_fullStr Sociology of music. Classical theories and starting points in the definition of discipline / La sociología de la música. Teorías clásicas y puntos de partida en la definición de la disciplina
title_full_unstemmed Sociology of music. Classical theories and starting points in the definition of discipline / La sociología de la música. Teorías clásicas y puntos de partida en la definición de la disciplina
title_sort sociology of music. classical theories and starting points in the definition of discipline / la sociología de la música. teorías clásicas y puntos de partida en la definición de la disciplina
publisher Asociacion Castellano-Manchega de Sociologia (ACMS)
series Barataria : Revista Castellano-Manchega de Ciencias Sociales
issn 1575-0825
2172-3184
publishDate 2012-10-01
description Music is a means of perceiving the world and an instrument of knowledge. Music contributes to the social construction of reality and sociology has always shown a special interest in its study. The current sociological studies of music analyze the process of interaction between music and society, taking in account particularly the various forms of attitude arising in this connection. This paper research analyzes the sociological theories of G. Simmel, M. Weber, and Th. W. Adorno as starting point to build the theoretical sociology of music.
topic Sociology of music
classical sociological theory
Georg Simmel
Max Weber
Theodor W. Adorno
url https://revistabarataria.es/web/index.php/rb/article/view/102
work_keys_str_mv AT jaimehormigosruiz sociologyofmusicclassicaltheoriesandstartingpointsinthedefinitionofdisciplinelasociologiadelamusicateoriasclasicasypuntosdepartidaenladefiniciondeladisciplina
_version_ 1725096326077612032

Similar Items