Limites e intersecções do estético com o político no filme Janela indiscreta, de Alfred Hitchcock, e no conto "Sessão das quatro", de Roberto Drummond

Limites e intersecções do estético com o político no filme Janela indiscreta, de Alfred Hitchcock, e no conto "Sessão das quatro", de Roberto Drummond

We analyze the short-story “Sessão das quatro”, by Brazilian writer Roberto Drummond, and the movie Rear Window, by Alfred Hitchcock. We discuss the language of narratives, focusing some points of borders and intersections between aesthetical and political elements in the construction and representa...

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Bibliographic Details
Main Author: Wanderlan da Silva Alves
Format: Article
Language:Spanish
Published: Universidade de Brasília 2012-01-01
Series:Estudos de Literatura Brasileira Contemporânea
Subjects:
alfred hitchcock
roberto drummond
literature and movie
narrative and politic
Online Access:http://www.redalyc.org/articulo.oa?id=323127333009
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spelling doaj-af8cd5eb67e249f087a8679465cd7e592021-10-08T16:09:31ZspaUniversidade de BrasíliaEstudos de Literatura Brasileira Contemporânea1518-01582316-40182012-01-0139151179Limites e intersecções do estético com o político no filme Janela indiscreta, de Alfred Hitchcock, e no conto "Sessão das quatro", de Roberto DrummondWanderlan da Silva AlvesWe analyze the short-story “Sessão das quatro”, by Brazilian writer Roberto Drummond, and the movie Rear Window, by Alfred Hitchcock. We discuss the language of narratives, focusing some points of borders and intersections between aesthetical and political elements in the construction and representation of forms of power. The characters of these narratives are inserted in the lands where the idea of public or private space is diffuse, the freedom is besieged, and the violence forms some structural elements of the reality. Then, the creation of alternative places for the enunciation gives to characters some possibilities for a critical action in that space where the concepts of law and ethic constitute the exception.http://www.redalyc.org/articulo.oa?id=323127333009alfred hitchcockroberto drummondliterature and movienarrative and politic
collection DOAJ
language Spanish
format Article
sources DOAJ
author Wanderlan da Silva Alves
spellingShingle Wanderlan da Silva Alves
Limites e intersecções do estético com o político no filme Janela indiscreta, de Alfred Hitchcock, e no conto "Sessão das quatro", de Roberto Drummond
Estudos de Literatura Brasileira Contemporânea
alfred hitchcock
roberto drummond
literature and movie
narrative and politic
author_facet Wanderlan da Silva Alves
author_sort Wanderlan da Silva Alves
title Limites e intersecções do estético com o político no filme Janela indiscreta, de Alfred Hitchcock, e no conto "Sessão das quatro", de Roberto Drummond
title_short Limites e intersecções do estético com o político no filme Janela indiscreta, de Alfred Hitchcock, e no conto "Sessão das quatro", de Roberto Drummond
title_full Limites e intersecções do estético com o político no filme Janela indiscreta, de Alfred Hitchcock, e no conto "Sessão das quatro", de Roberto Drummond
title_fullStr Limites e intersecções do estético com o político no filme Janela indiscreta, de Alfred Hitchcock, e no conto "Sessão das quatro", de Roberto Drummond
title_full_unstemmed Limites e intersecções do estético com o político no filme Janela indiscreta, de Alfred Hitchcock, e no conto "Sessão das quatro", de Roberto Drummond
title_sort limites e intersecções do estético com o político no filme janela indiscreta, de alfred hitchcock, e no conto "sessão das quatro", de roberto drummond
publisher Universidade de Brasília
series Estudos de Literatura Brasileira Contemporânea
issn 1518-0158
2316-4018
publishDate 2012-01-01
description We analyze the short-story “Sessão das quatro”, by Brazilian writer Roberto Drummond, and the movie Rear Window, by Alfred Hitchcock. We discuss the language of narratives, focusing some points of borders and intersections between aesthetical and political elements in the construction and representation of forms of power. The characters of these narratives are inserted in the lands where the idea of public or private space is diffuse, the freedom is besieged, and the violence forms some structural elements of the reality. Then, the creation of alternative places for the enunciation gives to characters some possibilities for a critical action in that space where the concepts of law and ethic constitute the exception.
topic alfred hitchcock
roberto drummond
literature and movie
narrative and politic
url http://www.redalyc.org/articulo.oa?id=323127333009
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