Sound, Music, War and Violence: Listening from the Archive
When the sonic remnants of violence and war survive in archives as being inscribed in such media as paper, it can be a challenge to engage with their aurality, all the more because subsequent audiovisual representations might overlay such embodied past experiences with different musical signifiers....
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Centre de recherches sur les arts et le langage
2020-03-01
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Online Access: | http://journals.openedition.org/transposition/4310 |
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doaj-af488c7f22304e44b620df9694d34eb12021-05-04T07:59:27ZengCentre de recherches sur les arts et le langageTransposition2110-61342020-03-01210.4000/transposition.4310Sound, Music, War and Violence: Listening from the ArchiveAnnegret FauserWhen the sonic remnants of violence and war survive in archives as being inscribed in such media as paper, it can be a challenge to engage with their aurality, all the more because subsequent audiovisual representations might overlay such embodied past experiences with different musical signifiers. Drawing on examples from the two world wars of the twentieth century, this contribution discusses which positionalities an author might embrace when listening to war and violence through the presence of music, sound, and silence in the archives.http://journals.openedition.org/transposition/4310archivesauralitylisteningmusicwarviolence |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Annegret Fauser |
spellingShingle |
Annegret Fauser Sound, Music, War and Violence: Listening from the Archive Transposition archives aurality listening music war violence |
author_facet |
Annegret Fauser |
author_sort |
Annegret Fauser |
title |
Sound, Music, War and Violence: Listening from the Archive |
title_short |
Sound, Music, War and Violence: Listening from the Archive |
title_full |
Sound, Music, War and Violence: Listening from the Archive |
title_fullStr |
Sound, Music, War and Violence: Listening from the Archive |
title_full_unstemmed |
Sound, Music, War and Violence: Listening from the Archive |
title_sort |
sound, music, war and violence: listening from the archive |
publisher |
Centre de recherches sur les arts et le langage |
series |
Transposition |
issn |
2110-6134 |
publishDate |
2020-03-01 |
description |
When the sonic remnants of violence and war survive in archives as being inscribed in such media as paper, it can be a challenge to engage with their aurality, all the more because subsequent audiovisual representations might overlay such embodied past experiences with different musical signifiers. Drawing on examples from the two world wars of the twentieth century, this contribution discusses which positionalities an author might embrace when listening to war and violence through the presence of music, sound, and silence in the archives. |
topic |
archives aurality listening music war violence |
url |
http://journals.openedition.org/transposition/4310 |
work_keys_str_mv |
AT annegretfauser soundmusicwarandviolencelisteningfromthearchive |
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1721479667516440576 |