Hawthorne’s Perspectival Perversity: What if “Wakefield” Were (About) a Woman?; or, Credo Quia Absurdum
Although “Wakefield” opens as a leisurely mnemonic act, it turns into an intensely emotional affair. However, the stance of moral indignation and, indeed, condemnation adopted in many readings of this classic tale seems to be a monological trap, an interpretive ride along Einbahnstrasse. The present...
Main Author: | Semrau Janusz |
---|---|
Format: | Article |
Language: | English |
Published: |
Sciendo
2013-06-01
|
Series: | Studia Anglica Posnaniensia |
Subjects: | |
Online Access: | https://doi.org/10.2478/stap-2013-0003 |
Similar Items
-
“Credo quia absurdum” [Indimostrabilità-Inconfutabilità delle “Verità di Fede”]
by: Piero Bellini
Published: (2017-11-01) -
Modern Paintings of the Prodigal Son: Depictions by James Tissot, Max Slevogt, Giorgio de Chirico, Aaron Douglas, and Max Beckmann, 1882-1949
by: Berger, David S.
Published: (2012) -
MOTIVES OF THE PARABLE OF THE PRODIGAL SON IN PUSHKIN’S "SNOWSTORM"
by: Zhilina N. P.
Published: (2011-11-01) -
The Wanderer
by: Wu, Dien-Foon
Published: (1996) -
THE MOTIF OF THE PRODIGAL SON IN IVAN TURGENEV'S NOVELS
by: Valentina Ivanovna Gabdullina
Published: (2013-11-01)