Reading LXXJudith 13:1–9 as performance
The Septuagint Book of Judith and its derivatives have had an enormous influence on the history of Western Europe and the Christian church. Judith has been employed in various situations to incite violence against a perceived opposition. In this regard, this article focuses on the climax of this boo...
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doaj-af098efec205497a98a7a3649b3c13492020-11-25T03:55:07ZafrAOSISHTS Teologiese Studies/Theological Studies 0259-94222072-80502020-10-01764e1e610.4102/hts.v76i4.61674795Reading LXXJudith 13:1–9 as performanceNicholas P.L. Allen0Pierre J. Jordaan1School of Ancient Language and Text Studies, Faculty of Theology, North-West University, PotchefstroomSchool of Ancient Language and Text Studies, Faculty of Theology, North-West University, PotchefstroomThe Septuagint Book of Judith and its derivatives have had an enormous influence on the history of Western Europe and the Christian church. Judith has been employed in various situations to incite violence against a perceived opposition. In this regard, this article focuses on the climax of this book (Jdt 13:1–9) as performance text. In this context, many of the insights proffered by Perry in his seminal work Insights from Performance Criticism (2016) have been expanded upon from the perspective of a Greek and/or Hellenistic environment. Contribution: The value of reading LXXJudith as performance is clearly demonstrated. The conclusion is reached that this pericope is indeed highly subversive. Suggestion is also made that, contrary to more conservative wisdom, with reference specifically to LXXJudith 13:1–9, the Judith fabula is not really reconciliatory in nature. Rather, it seems to provoke conflict between competing powers.https://hts.org.za/index.php/hts/article/view/6167lxxjudithperformanceperformance criticismpower and identityjudaism |
collection |
DOAJ |
language |
Afrikaans |
format |
Article |
sources |
DOAJ |
author |
Nicholas P.L. Allen Pierre J. Jordaan |
spellingShingle |
Nicholas P.L. Allen Pierre J. Jordaan Reading LXXJudith 13:1–9 as performance HTS Teologiese Studies/Theological Studies lxxjudith performance performance criticism power and identity judaism |
author_facet |
Nicholas P.L. Allen Pierre J. Jordaan |
author_sort |
Nicholas P.L. Allen |
title |
Reading LXXJudith 13:1–9 as performance |
title_short |
Reading LXXJudith 13:1–9 as performance |
title_full |
Reading LXXJudith 13:1–9 as performance |
title_fullStr |
Reading LXXJudith 13:1–9 as performance |
title_full_unstemmed |
Reading LXXJudith 13:1–9 as performance |
title_sort |
reading lxxjudith 13:1–9 as performance |
publisher |
AOSIS |
series |
HTS Teologiese Studies/Theological Studies |
issn |
0259-9422 2072-8050 |
publishDate |
2020-10-01 |
description |
The Septuagint Book of Judith and its derivatives have had an enormous influence on the history of Western Europe and the Christian church. Judith has been employed in various situations to incite violence against a perceived opposition. In this regard, this article focuses on the climax of this book (Jdt 13:1–9) as performance text. In this context, many of the insights proffered by Perry in his seminal work Insights from Performance Criticism (2016) have been expanded upon from the perspective of a Greek and/or Hellenistic environment.
Contribution: The value of reading LXXJudith as performance is clearly demonstrated. The conclusion is reached that this pericope is indeed highly subversive. Suggestion is also made that, contrary to more conservative wisdom, with reference specifically to LXXJudith 13:1–9, the Judith fabula is not really reconciliatory in nature. Rather, it seems to provoke conflict between competing powers. |
topic |
lxxjudith performance performance criticism power and identity judaism |
url |
https://hts.org.za/index.php/hts/article/view/6167 |
work_keys_str_mv |
AT nicholasplallen readinglxxjudith1319asperformance AT pierrejjordaan readinglxxjudith1319asperformance |
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1724470656826867712 |