Reading LXXJudith 13:1–9 as performance

The Septuagint Book of Judith and its derivatives have had an enormous influence on the history of Western Europe and the Christian church. Judith has been employed in various situations to incite violence against a perceived opposition. In this regard, this article focuses on the climax of this boo...

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Main Authors: Nicholas P.L. Allen, Pierre J. Jordaan
Format: Article
Language:Afrikaans
Published: AOSIS 2020-10-01
Series:HTS Teologiese Studies/Theological Studies
Subjects:
Online Access:https://hts.org.za/index.php/hts/article/view/6167
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spelling doaj-af098efec205497a98a7a3649b3c13492020-11-25T03:55:07ZafrAOSISHTS Teologiese Studies/Theological Studies 0259-94222072-80502020-10-01764e1e610.4102/hts.v76i4.61674795Reading LXXJudith 13:1–9 as performanceNicholas P.L. Allen0Pierre J. Jordaan1School of Ancient Language and Text Studies, Faculty of Theology, North-West University, PotchefstroomSchool of Ancient Language and Text Studies, Faculty of Theology, North-West University, PotchefstroomThe Septuagint Book of Judith and its derivatives have had an enormous influence on the history of Western Europe and the Christian church. Judith has been employed in various situations to incite violence against a perceived opposition. In this regard, this article focuses on the climax of this book (Jdt 13:1–9) as performance text. In this context, many of the insights proffered by Perry in his seminal work Insights from Performance Criticism (2016) have been expanded upon from the perspective of a Greek and/or Hellenistic environment. Contribution: The value of reading LXXJudith as performance is clearly demonstrated. The conclusion is reached that this pericope is indeed highly subversive. Suggestion is also made that, contrary to more conservative wisdom, with reference specifically to LXXJudith 13:1–9, the Judith fabula is not really reconciliatory in nature. Rather, it seems to provoke conflict between competing powers.https://hts.org.za/index.php/hts/article/view/6167lxxjudithperformanceperformance criticismpower and identityjudaism
collection DOAJ
language Afrikaans
format Article
sources DOAJ
author Nicholas P.L. Allen
Pierre J. Jordaan
spellingShingle Nicholas P.L. Allen
Pierre J. Jordaan
Reading LXXJudith 13:1–9 as performance
HTS Teologiese Studies/Theological Studies
lxxjudith
performance
performance criticism
power and identity
judaism
author_facet Nicholas P.L. Allen
Pierre J. Jordaan
author_sort Nicholas P.L. Allen
title Reading LXXJudith 13:1–9 as performance
title_short Reading LXXJudith 13:1–9 as performance
title_full Reading LXXJudith 13:1–9 as performance
title_fullStr Reading LXXJudith 13:1–9 as performance
title_full_unstemmed Reading LXXJudith 13:1–9 as performance
title_sort reading lxxjudith 13:1–9 as performance
publisher AOSIS
series HTS Teologiese Studies/Theological Studies
issn 0259-9422
2072-8050
publishDate 2020-10-01
description The Septuagint Book of Judith and its derivatives have had an enormous influence on the history of Western Europe and the Christian church. Judith has been employed in various situations to incite violence against a perceived opposition. In this regard, this article focuses on the climax of this book (Jdt 13:1–9) as performance text. In this context, many of the insights proffered by Perry in his seminal work Insights from Performance Criticism (2016) have been expanded upon from the perspective of a Greek and/or Hellenistic environment. Contribution: The value of reading LXXJudith as performance is clearly demonstrated. The conclusion is reached that this pericope is indeed highly subversive. Suggestion is also made that, contrary to more conservative wisdom, with reference specifically to LXXJudith 13:1–9, the Judith fabula is not really reconciliatory in nature. Rather, it seems to provoke conflict between competing powers.
topic lxxjudith
performance
performance criticism
power and identity
judaism
url https://hts.org.za/index.php/hts/article/view/6167
work_keys_str_mv AT nicholasplallen readinglxxjudith1319asperformance
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