The symbol made text: Charles Palliser's postmodernist re-writing of Dickens in The Quincunx
Early reviewers of The Quincunx (1989) immediately recognised the novel's striking stylistic and thematic indebtedness to Dickens and to other early Victorian writers, a fact that led them to describe Charles Palliser's first novel as a brilliant attempt to reproduce an early Vi...
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Universidad de Alicante
1993-11-01
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Series: | Revista Alicantina de Estudios Ingleses |
Online Access: | https://raei.ua.es/article/view/1993-n6-the-symbol-made-text-charles-pallisers-postmodernist-re-writing-of-dickens-in-the-quincunx |
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doaj-af05b1343b6b4fecb37329b07cf9781c2020-11-25T03:59:17ZengUniversidad de AlicanteRevista Alicantina de Estudios Ingleses0214-48082171-861X1993-11-01613110.14198/raei.1993.6.124430The symbol made text: Charles Palliser's postmodernist re-writing of Dickens in The QuincunxOnega Jaén, Susana Early reviewers of The Quincunx (1989) immediately recognised the novel's striking stylistic and thematic indebtedness to Dickens and to other early Victorian writers, a fact that led them to describe Charles Palliser's first novel as a brilliant attempt to reproduce an early Victorian novel. However, closer examination reveals that The Quincunx is not merely a belated imitation of Victorian fiction, but rather a neatly structured, symbolically complex and highly self-conscious parody of it, in line with other contemporary historiographic metafictions, like The French Lieutenant's Woman or The Name of the Rose, and expresses Palliser's own postmodernist world-view.https://raei.ua.es/article/view/1993-n6-the-symbol-made-text-charles-pallisers-postmodernist-re-writing-of-dickens-in-the-quincunx |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Onega Jaén, Susana |
spellingShingle |
Onega Jaén, Susana The symbol made text: Charles Palliser's postmodernist re-writing of Dickens in The Quincunx Revista Alicantina de Estudios Ingleses |
author_facet |
Onega Jaén, Susana |
author_sort |
Onega Jaén, Susana |
title |
The symbol made text: Charles Palliser's postmodernist re-writing of Dickens in The Quincunx |
title_short |
The symbol made text: Charles Palliser's postmodernist re-writing of Dickens in The Quincunx |
title_full |
The symbol made text: Charles Palliser's postmodernist re-writing of Dickens in The Quincunx |
title_fullStr |
The symbol made text: Charles Palliser's postmodernist re-writing of Dickens in The Quincunx |
title_full_unstemmed |
The symbol made text: Charles Palliser's postmodernist re-writing of Dickens in The Quincunx |
title_sort |
symbol made text: charles palliser's postmodernist re-writing of dickens in the quincunx |
publisher |
Universidad de Alicante |
series |
Revista Alicantina de Estudios Ingleses |
issn |
0214-4808 2171-861X |
publishDate |
1993-11-01 |
description |
Early reviewers of The Quincunx (1989) immediately recognised the novel's striking stylistic and thematic indebtedness to Dickens and to other early Victorian writers, a fact that led them to describe Charles Palliser's first novel as a brilliant attempt to reproduce an early Victorian novel. However, closer examination reveals that The Quincunx is not merely a belated imitation of Victorian fiction, but rather a neatly structured, symbolically complex and highly self-conscious parody of it, in line with other contemporary historiographic metafictions, like The French Lieutenant's Woman or The Name of the Rose, and expresses Palliser's own postmodernist world-view. |
url |
https://raei.ua.es/article/view/1993-n6-the-symbol-made-text-charles-pallisers-postmodernist-re-writing-of-dickens-in-the-quincunx |
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