Acoustics of the banjo: measurements and sound synthesis
Measurements of vibrational response of an American 5-string banjo and of the sounds of played notes on the instrument are presented, and contrasted with corresponding results for a steel-string guitar. A synthesis model, fine-tuned using information from the measurements, has been used to investiga...
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doaj-aec4f041c20f4cb184b20984a1591c0e2021-09-02T18:18:22ZengEDP SciencesActa Acustica2681-46172021-01-0151510.1051/aacus/2021009aacus200055Acoustics of the banjo: measurements and sound synthesisWoodhouse Jim0https://orcid.org/0000-0002-6645-1635Politzer David1Mansour Hossein2Cambridge University Engineering Department452-48 CaltechDassault Systèmes – SIMULIAMeasurements of vibrational response of an American 5-string banjo and of the sounds of played notes on the instrument are presented, and contrasted with corresponding results for a steel-string guitar. A synthesis model, fine-tuned using information from the measurements, has been used to investigate what acoustical features are necessary to produce recognisable banjo-like sound, and to explore the perceptual salience of a wide range of design modifications. Recognisable banjo sound seems to depend on the pattern of decay rates of “string modes”, the loudness magnitude and profile, and a transient contribution to each played note from the “body modes”. A formant-like feature, peaking around 500–800 Hz on the banjo tested, is found to play a key role. At higher frequencies the dynamic behaviour of the bridge produces additional formant-like features, reminiscent of the “bridge hill” of the violin, and these also produce clear perceptual effects.https://acta-acustica.edpsciences.org/articles/aacus/full_html/2021/01/aacus200055/aacus200055.htmlbanjoacousticsvibrationsynthesis |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Woodhouse Jim Politzer David Mansour Hossein |
spellingShingle |
Woodhouse Jim Politzer David Mansour Hossein Acoustics of the banjo: measurements and sound synthesis Acta Acustica banjo acoustics vibration synthesis |
author_facet |
Woodhouse Jim Politzer David Mansour Hossein |
author_sort |
Woodhouse Jim |
title |
Acoustics of the banjo: measurements and sound synthesis |
title_short |
Acoustics of the banjo: measurements and sound synthesis |
title_full |
Acoustics of the banjo: measurements and sound synthesis |
title_fullStr |
Acoustics of the banjo: measurements and sound synthesis |
title_full_unstemmed |
Acoustics of the banjo: measurements and sound synthesis |
title_sort |
acoustics of the banjo: measurements and sound synthesis |
publisher |
EDP Sciences |
series |
Acta Acustica |
issn |
2681-4617 |
publishDate |
2021-01-01 |
description |
Measurements of vibrational response of an American 5-string banjo and of the sounds of played notes on the instrument are presented, and contrasted with corresponding results for a steel-string guitar. A synthesis model, fine-tuned using information from the measurements, has been used to investigate what acoustical features are necessary to produce recognisable banjo-like sound, and to explore the perceptual salience of a wide range of design modifications. Recognisable banjo sound seems to depend on the pattern of decay rates of “string modes”, the loudness magnitude and profile, and a transient contribution to each played note from the “body modes”. A formant-like feature, peaking around 500–800 Hz on the banjo tested, is found to play a key role. At higher frequencies the dynamic behaviour of the bridge produces additional formant-like features, reminiscent of the “bridge hill” of the violin, and these also produce clear perceptual effects. |
topic |
banjo acoustics vibration synthesis |
url |
https://acta-acustica.edpsciences.org/articles/aacus/full_html/2021/01/aacus200055/aacus200055.html |
work_keys_str_mv |
AT woodhousejim acousticsofthebanjomeasurementsandsoundsynthesis AT politzerdavid acousticsofthebanjomeasurementsandsoundsynthesis AT mansourhossein acousticsofthebanjomeasurementsandsoundsynthesis |
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