'New Gustavians'

The early 1990s saw Sweden severely hit by financial crisis, electoral upheaval and a swift reorientation within political elites resulting in an application to join the European Union (EU). Focusing on the Swedish blockbuster exhibition project Le Soleil et l’Etoile du Nord (The Sun and the North...

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Main Author: Andreas Mørkved Hellenes
Format: Article
Language:English
Published: Linköping University Electronic Press 2021-07-01
Series:Culture Unbound: Journal of Current Cultural Research
Subjects:
Online Access:https://cultureunbound.ep.liu.se/article/view/3378
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spelling doaj-ae9b527a2de2407e891e1ca488eaa81e2021-08-10T15:15:04ZengLinköping University Electronic PressCulture Unbound: Journal of Current Cultural Research2000-15252021-07-0113110.3384/cu.3378'New Gustavians'Andreas Mørkved Hellenes0Aarhus University The early 1990s saw Sweden severely hit by financial crisis, electoral upheaval and a swift reorientation within political elites resulting in an application to join the European Union (EU). Focusing on the Swedish blockbuster exhibition project Le Soleil et l’Etoile du Nord (The Sun and the North Star) in Paris during spring 1994, this paper argues that the early 1990s represent a key transition period for the renegotiation of the relationship between business, politics and culture in Swedish foreign promotion and cultural diplomacy. In a wide-ranging campaign launched in France ahead of the EU membership, political communication, cultural heritage narratives, and export promotion were brought together in an ambitious national identity political project that showcased a new, liberal-conservative and inherently European Sweden. https://cultureunbound.ep.liu.se/article/view/3378Swedish identity, cultural diplomacy, Gustavianism, return of history, Paris
collection DOAJ
language English
format Article
sources DOAJ
author Andreas Mørkved Hellenes
spellingShingle Andreas Mørkved Hellenes
'New Gustavians'
Culture Unbound: Journal of Current Cultural Research
Swedish identity, cultural diplomacy, Gustavianism, return of history, Paris
author_facet Andreas Mørkved Hellenes
author_sort Andreas Mørkved Hellenes
title 'New Gustavians'
title_short 'New Gustavians'
title_full 'New Gustavians'
title_fullStr 'New Gustavians'
title_full_unstemmed 'New Gustavians'
title_sort 'new gustavians'
publisher Linköping University Electronic Press
series Culture Unbound: Journal of Current Cultural Research
issn 2000-1525
publishDate 2021-07-01
description The early 1990s saw Sweden severely hit by financial crisis, electoral upheaval and a swift reorientation within political elites resulting in an application to join the European Union (EU). Focusing on the Swedish blockbuster exhibition project Le Soleil et l’Etoile du Nord (The Sun and the North Star) in Paris during spring 1994, this paper argues that the early 1990s represent a key transition period for the renegotiation of the relationship between business, politics and culture in Swedish foreign promotion and cultural diplomacy. In a wide-ranging campaign launched in France ahead of the EU membership, political communication, cultural heritage narratives, and export promotion were brought together in an ambitious national identity political project that showcased a new, liberal-conservative and inherently European Sweden.
topic Swedish identity, cultural diplomacy, Gustavianism, return of history, Paris
url https://cultureunbound.ep.liu.se/article/view/3378
work_keys_str_mv AT andreasmørkvedhellenes newgustavians
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