Téa Obreht e Sara Nović: l’esotico alla balcanica

In the contemporary literary universe, where the ‘commercial pole’ of literary field prevails over the ‘autonomous’ one, according to the dichotomy introduced by Pierre Bourdieu and furtherly developed by Pascale Casanova, the phenomena of so-called ‘world fiction’, has been becoming increasingly...

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Main Author: Miok, Olivera
Format: Article
Language:deu
Published: Edizioni Ca’ Foscari 2019-09-01
Series:Annali di Ca’ Foscari. Serie Occidentale
Subjects:
Online Access:https://edizionicafoscari.unive.it/riviste/annali-di-ca-foscari-serie-occidentale/2019/53/tea-obreht-e-sara-novic-lesotico-alla-balcanica/
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spelling doaj-ae25211621014487b81ed9b434f97ec32021-06-02T08:44:47ZdeuEdizioni Ca’ FoscariAnnali di Ca’ Foscari. Serie Occidentale2499-15622019-09-0153110.30687/AnnOc/2499-1562/2019/01/008journal_article_1742Téa Obreht e Sara Nović: l’esotico alla balcanicaMiok, Olivera0Università Ca’ Foscari Venezia, Italia In the contemporary literary universe, where the ‘commercial pole’ of literary field prevails over the ‘autonomous’ one, according to the dichotomy introduced by Pierre Bourdieu and furtherly developed by Pascale Casanova, the phenomena of so-called ‘world fiction’, has been becoming increasingly widespread. Considering that many readers read the works of fiction in order to experience the Other and the Alterity, the writers originating from or somehow related to peripheral cultures are expected to represent their cultures. The value of authenticity is attributed to their representations, even if the author’s autonomy is significantly limited by the rules of the chosen genre (‘world fiction’), and of the literary field they are trying to penetrate. Starting from these premises and focusing on the extraordinary success of two American writers of Balkan origin, Tea Obreht and Sara Nović, in this paper I will try to provide some answers to the following questions: what is the expected image of the Balkan in the USA literary field? Is the discourse of balcanism still present? And why do these images, although fictional, have an importance for the real world? https://edizionicafoscari.unive.it/riviste/annali-di-ca-foscari-serie-occidentale/2019/53/tea-obreht-e-sara-novic-lesotico-alla-balcanica/Commercial pole. Literary field. The Balkans. Téa Obreht. Sara Nović.
collection DOAJ
language deu
format Article
sources DOAJ
author Miok, Olivera
spellingShingle Miok, Olivera
Téa Obreht e Sara Nović: l’esotico alla balcanica
Annali di Ca’ Foscari. Serie Occidentale
Commercial pole. Literary field. The Balkans. Téa Obreht. Sara Nović.
author_facet Miok, Olivera
author_sort Miok, Olivera
title Téa Obreht e Sara Nović: l’esotico alla balcanica
title_short Téa Obreht e Sara Nović: l’esotico alla balcanica
title_full Téa Obreht e Sara Nović: l’esotico alla balcanica
title_fullStr Téa Obreht e Sara Nović: l’esotico alla balcanica
title_full_unstemmed Téa Obreht e Sara Nović: l’esotico alla balcanica
title_sort téa obreht e sara nović: l’esotico alla balcanica
publisher Edizioni Ca’ Foscari
series Annali di Ca’ Foscari. Serie Occidentale
issn 2499-1562
publishDate 2019-09-01
description In the contemporary literary universe, where the ‘commercial pole’ of literary field prevails over the ‘autonomous’ one, according to the dichotomy introduced by Pierre Bourdieu and furtherly developed by Pascale Casanova, the phenomena of so-called ‘world fiction’, has been becoming increasingly widespread. Considering that many readers read the works of fiction in order to experience the Other and the Alterity, the writers originating from or somehow related to peripheral cultures are expected to represent their cultures. The value of authenticity is attributed to their representations, even if the author’s autonomy is significantly limited by the rules of the chosen genre (‘world fiction’), and of the literary field they are trying to penetrate. Starting from these premises and focusing on the extraordinary success of two American writers of Balkan origin, Tea Obreht and Sara Nović, in this paper I will try to provide some answers to the following questions: what is the expected image of the Balkan in the USA literary field? Is the discourse of balcanism still present? And why do these images, although fictional, have an importance for the real world?
topic Commercial pole. Literary field. The Balkans. Téa Obreht. Sara Nović.
url https://edizionicafoscari.unive.it/riviste/annali-di-ca-foscari-serie-occidentale/2019/53/tea-obreht-e-sara-novic-lesotico-alla-balcanica/
work_keys_str_mv AT miokolivera teaobrehtesaranoviclesoticoallabalcanica
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