De Piscator a César Vallejo: los primeros intentos de teatro proletario en español
The following article comparatively analyzes the theatrical theories of Erwin Piscator (Das politische Theater, 1968) and César Vallejo (El arte y la revolución, 1973) and their practical applications. It also attempts to locate César Vallejo’s theater within the parameters of political theater. Pis...
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Asociación Cultural Impossibilia
2018-05-01
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| Series: | Impossibilia: Revista Internacional de Estudios Literarios |
| Online Access: | http://impossibilia.org/ojs3/index.php/impossibilia/article/view/263 |
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doaj-adae943537fe4015ae8607b56b595b502020-11-25T00:55:59ZengAsociación Cultural ImpossibiliaImpossibilia: Revista Internacional de Estudios Literarios2174-24642018-05-0115De Piscator a César Vallejo: los primeros intentos de teatro proletario en españolJulio Vélez Sainz0Instituto del Teatro de Madrid / Universidad Complutense de MadridThe following article comparatively analyzes the theatrical theories of Erwin Piscator (Das politische Theater, 1968) and César Vallejo (El arte y la revolución, 1973) and their practical applications. It also attempts to locate César Vallejo’s theater within the parameters of political theater. Piscator, Vallejo and other authors of revolutionary drama present an ideological and aesthetic model in which the “new” proletarian aesthetics overcomes that of the bourgeoisie. This aesthetics lie in the utilization of the cinematograph, the interpretative techniques of collective characters, and the use of documentation from a proletariat perspective. http://impossibilia.org/ojs3/index.php/impossibilia/article/view/263 |
| collection |
DOAJ |
| language |
English |
| format |
Article |
| sources |
DOAJ |
| author |
Julio Vélez Sainz |
| spellingShingle |
Julio Vélez Sainz De Piscator a César Vallejo: los primeros intentos de teatro proletario en español Impossibilia: Revista Internacional de Estudios Literarios |
| author_facet |
Julio Vélez Sainz |
| author_sort |
Julio Vélez Sainz |
| title |
De Piscator a César Vallejo: los primeros intentos de teatro proletario en español |
| title_short |
De Piscator a César Vallejo: los primeros intentos de teatro proletario en español |
| title_full |
De Piscator a César Vallejo: los primeros intentos de teatro proletario en español |
| title_fullStr |
De Piscator a César Vallejo: los primeros intentos de teatro proletario en español |
| title_full_unstemmed |
De Piscator a César Vallejo: los primeros intentos de teatro proletario en español |
| title_sort |
de piscator a césar vallejo: los primeros intentos de teatro proletario en español |
| publisher |
Asociación Cultural Impossibilia |
| series |
Impossibilia: Revista Internacional de Estudios Literarios |
| issn |
2174-2464 |
| publishDate |
2018-05-01 |
| description |
The following article comparatively analyzes the theatrical theories of
Erwin Piscator (Das politische Theater, 1968) and César Vallejo (El arte y la revolución, 1973)
and their practical applications. It also attempts to locate César Vallejo’s theater within the
parameters of political theater. Piscator, Vallejo and other authors of revolutionary drama
present an ideological and aesthetic model in which the “new” proletarian aesthetics
overcomes that of the bourgeoisie. This aesthetics lie in the utilization of the cinematograph,
the interpretative techniques of collective characters, and the use of documentation from a
proletariat perspective.
|
| url |
http://impossibilia.org/ojs3/index.php/impossibilia/article/view/263 |
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AT juliovelezsainz depiscatoracesarvallejolosprimerosintentosdeteatroproletarioenespanol |
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