Modos de ver e de dar a ver os Painéis de São Vicente

The paper Ways of seeing and making visible the Saint Vincent Panels focuses on the idea that articulating historical knowledge with new technologies can be a form of ownership and statement for Portuguese culture and painting. Analyzing and understanding the contexts that established the successive...

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Main Authors: Paula André, Luís Louzã Henriques, Luísa Isabel Martinho, Sónia Apolinário, Rui Reis Costa
Format: Article
Language:English
Published: Universidade de Évora 2013-04-01
Series:Midas: Museus e Estudos Interdisciplinares
Subjects:
Online Access:http://journals.openedition.org/midas/256
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spelling doaj-ad80fa3428534e1b9fdd8e9d0b8de5be2020-11-24T23:56:41ZengUniversidade de ÉvoraMidas: Museus e Estudos Interdisciplinares2182-95432013-04-01210.4000/midas.256Modos de ver e de dar a ver os Painéis de São VicentePaula AndréLuís Louzã HenriquesLuísa Isabel MartinhoSónia ApolinárioRui Reis CostaThe paper Ways of seeing and making visible the Saint Vincent Panels focuses on the idea that articulating historical knowledge with new technologies can be a form of ownership and statement for Portuguese culture and painting. Analyzing and understanding the contexts that established the successive spatial trajectories of the panels inside and outside the Museu Nacional de Arte Antiga (Lisbon), and the successive artistic variations, as well as the virtual manipulation of the iconic image of panels in the Portuguese landscape or in virtual realities, can show the painting in an expressive way, publicly and globally, and contribute to an effective and affective grasp of the fundamentals of Portuguese culture. The museum, as a space of identity par excellence, should build tools that enhance this understanding, innovating in disclosure systems and working in partnership with agents to produce research on historical knowledge in the area of virtual realities, producing thought-provoking/exciting ways to see and read the painting.http://journals.openedition.org/midas/256National Museum of Ancient Artinformation and communications TechnologySaint Vincent Panelsvirtual
collection DOAJ
language English
format Article
sources DOAJ
author Paula André
Luís Louzã Henriques
Luísa Isabel Martinho
Sónia Apolinário
Rui Reis Costa
spellingShingle Paula André
Luís Louzã Henriques
Luísa Isabel Martinho
Sónia Apolinário
Rui Reis Costa
Modos de ver e de dar a ver os Painéis de São Vicente
Midas: Museus e Estudos Interdisciplinares
National Museum of Ancient Art
information and communications Technology
Saint Vincent Panels
virtual
author_facet Paula André
Luís Louzã Henriques
Luísa Isabel Martinho
Sónia Apolinário
Rui Reis Costa
author_sort Paula André
title Modos de ver e de dar a ver os Painéis de São Vicente
title_short Modos de ver e de dar a ver os Painéis de São Vicente
title_full Modos de ver e de dar a ver os Painéis de São Vicente
title_fullStr Modos de ver e de dar a ver os Painéis de São Vicente
title_full_unstemmed Modos de ver e de dar a ver os Painéis de São Vicente
title_sort modos de ver e de dar a ver os painéis de são vicente
publisher Universidade de Évora
series Midas: Museus e Estudos Interdisciplinares
issn 2182-9543
publishDate 2013-04-01
description The paper Ways of seeing and making visible the Saint Vincent Panels focuses on the idea that articulating historical knowledge with new technologies can be a form of ownership and statement for Portuguese culture and painting. Analyzing and understanding the contexts that established the successive spatial trajectories of the panels inside and outside the Museu Nacional de Arte Antiga (Lisbon), and the successive artistic variations, as well as the virtual manipulation of the iconic image of panels in the Portuguese landscape or in virtual realities, can show the painting in an expressive way, publicly and globally, and contribute to an effective and affective grasp of the fundamentals of Portuguese culture. The museum, as a space of identity par excellence, should build tools that enhance this understanding, innovating in disclosure systems and working in partnership with agents to produce research on historical knowledge in the area of virtual realities, producing thought-provoking/exciting ways to see and read the painting.
topic National Museum of Ancient Art
information and communications Technology
Saint Vincent Panels
virtual
url http://journals.openedition.org/midas/256
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