Narrating a Valley in Max Frisch’s <i>Der Mensch erscheint im Holozän</i>: Material Agency, Rain, and the Geologic Past

The complex narrative composition of image and text in Max Frisch’s <i>Der Mensch erscheint im Holozän</i> discloses entanglements between humans and nonhuman entities that impact the narrative and that demand careful consideration. The story depicts the aging protagonist’s struggle with...

Full description

Bibliographic Details
Main Author: Kiley M. Kost
Format: Article
Language:English
Published: MDPI AG 2021-03-01
Series:Humanities
Subjects:
Online Access:https://www.mdpi.com/2076-0787/10/1/43
id doaj-ad512b6ca0624c4ca0689cf779d29462
record_format Article
spelling doaj-ad512b6ca0624c4ca0689cf779d294622021-03-05T00:03:14ZengMDPI AGHumanities2076-07872021-03-0110434310.3390/h10010043Narrating a Valley in Max Frisch’s <i>Der Mensch erscheint im Holozän</i>: Material Agency, Rain, and the Geologic PastKiley M. Kost0Department of German and Russian, Carleton College, Northfield, IL 55057, USAThe complex narrative composition of image and text in Max Frisch’s <i>Der Mensch erscheint im Holozän</i> discloses entanglements between humans and nonhuman entities that impact the narrative and that demand careful consideration. The story depicts the aging protagonist’s struggle with memory loss and his careful examination of the valley’s mountain formations in fear of a landslide. In this analysis, I show that both of these threats can be read as entangled with nonhuman agents. By focusing on the material dimension of the text, two central and related shifts occur: the background element of rain becomes foregrounded in the narrative, and the natural formations of the valley that are assumed to be static are revealed to be dynamic. These shifts lead to an interpretation of Frisch’s text focused on the impacts of rain and the temporal scale of the text’s geologic dimension. Approaching the text through the lens of material ecocriticism unveils the multiple agencies at play, decenters the human, and illustrates the embodied experience of climate change.https://www.mdpi.com/2076-0787/10/1/43material ecocriticismraingeologyscaleMax Frisch<i>Der Mensch erscheint im Holozän</i>
collection DOAJ
language English
format Article
sources DOAJ
author Kiley M. Kost
spellingShingle Kiley M. Kost
Narrating a Valley in Max Frisch’s <i>Der Mensch erscheint im Holozän</i>: Material Agency, Rain, and the Geologic Past
Humanities
material ecocriticism
rain
geology
scale
Max Frisch
<i>Der Mensch erscheint im Holozän</i>
author_facet Kiley M. Kost
author_sort Kiley M. Kost
title Narrating a Valley in Max Frisch’s <i>Der Mensch erscheint im Holozän</i>: Material Agency, Rain, and the Geologic Past
title_short Narrating a Valley in Max Frisch’s <i>Der Mensch erscheint im Holozän</i>: Material Agency, Rain, and the Geologic Past
title_full Narrating a Valley in Max Frisch’s <i>Der Mensch erscheint im Holozän</i>: Material Agency, Rain, and the Geologic Past
title_fullStr Narrating a Valley in Max Frisch’s <i>Der Mensch erscheint im Holozän</i>: Material Agency, Rain, and the Geologic Past
title_full_unstemmed Narrating a Valley in Max Frisch’s <i>Der Mensch erscheint im Holozän</i>: Material Agency, Rain, and the Geologic Past
title_sort narrating a valley in max frisch’s <i>der mensch erscheint im holozän</i>: material agency, rain, and the geologic past
publisher MDPI AG
series Humanities
issn 2076-0787
publishDate 2021-03-01
description The complex narrative composition of image and text in Max Frisch’s <i>Der Mensch erscheint im Holozän</i> discloses entanglements between humans and nonhuman entities that impact the narrative and that demand careful consideration. The story depicts the aging protagonist’s struggle with memory loss and his careful examination of the valley’s mountain formations in fear of a landslide. In this analysis, I show that both of these threats can be read as entangled with nonhuman agents. By focusing on the material dimension of the text, two central and related shifts occur: the background element of rain becomes foregrounded in the narrative, and the natural formations of the valley that are assumed to be static are revealed to be dynamic. These shifts lead to an interpretation of Frisch’s text focused on the impacts of rain and the temporal scale of the text’s geologic dimension. Approaching the text through the lens of material ecocriticism unveils the multiple agencies at play, decenters the human, and illustrates the embodied experience of climate change.
topic material ecocriticism
rain
geology
scale
Max Frisch
<i>Der Mensch erscheint im Holozän</i>
url https://www.mdpi.com/2076-0787/10/1/43
work_keys_str_mv AT kileymkost narratingavalleyinmaxfrischsidermenscherscheintimholozanimaterialagencyrainandthegeologicpast
_version_ 1724231390507040768