“How I became what I am”: an aesthetics of twist cinema in films from the 1960s and 1970s
The article analyzes the political and theoretical potential of cinematographic language to express and rebuild the relationship between sexual and gender differences. As cultural products, the three films analyzed - A Casa Assassinada (1972), Sunday, bloody Sunday (1971) and Les Amities Particulièr...
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| Format: | Article |
| Language: | Spanish |
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Universidade Federal de Santa Catarina
2017-02-01
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| Series: | Revista Estudos Feministas |
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| Online Access: | https://periodicos.ufsc.br/index.php/ref/article/view/48518 |