Nation, Genre and Female Performance in Canadian Cinema
This paper outlines a theory of sytle and performance in Canadian film based on geography, gender and genre. It is possible to form a theory of Canadian cinema based on theme-genre (strong women, nature as oppressor in dysfunctional family melodramas) in which female characters, as well as their per...
Main Author: | Murat Akser |
---|---|
Format: | Article |
Language: | English |
Published: |
University of Pittsburgh
2013-06-01
|
Series: | CINEJ Cinema Journal |
Online Access: | http://cinej.pitt.edu/ojs/index.php/cinej/article/view/72 |
Similar Items
-
Auteur and Style in National Cinema: A Reframing of Metin Erksan's Time To Love
by: Murat Akser
Published: (2014-04-01) -
Halit Refig's I Lost My Heart to a Turk: Woman, Islam and Modernity in Turkish Cinema
by: Murat Akser
Published: (2018-12-01) -
Antalya Golden Orange Film Festival – Between the national and the global
by: Murat Akser
Published: (2013-01-01) -
Narrative, genre and national myth in postmodern Canadian historical fiction
by: Wang, Mei-Chuen
Published: (2010) -
Narrative and genre in American cinema
by: Richards, K. J.
Published: (1983)