‘Close as a kiss’: Gyn/Affection in Margaret Atwood’s The Penelopiad
<p>Margaret Atwood’s novella <em>The Penelopiad</em> (2005) seemingly celebrates Penelope’s agency in opposition to Homer’s myth in The <em>Odyssey</em>. However, the twelve murdered maids steal the book to suggest the possibility of what Janice Raymond calls <em>...
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doaj-abfb647d9a714ac2950aaf982a9e0bdb2020-11-25T00:33:41ZengUniversidad Complutense de MadridAmaltea: Revista de Mitocrítica1989-17092015-09-0170193410.5209/rev_AMAL.2015.v7.4769747096‘Close as a kiss’: Gyn/Affection in Margaret Atwood’s The PenelopiadGerardo Rodríguez Salas0Universidad de Granada<p>Margaret Atwood’s novella <em>The Penelopiad</em> (2005) seemingly celebrates Penelope’s agency in opposition to Homer’s myth in The <em>Odyssey</em>. However, the twelve murdered maids steal the book to suggest the possibility of what Janice Raymond calls <em>gyn/affection</em>, a female bonding based on the logic of emotion that, in Atwood’s revision, verges on Kristevan abjection, the sinister and the fantastic, and serves a cathartic effect not only in the maids but also in the reader. This essay aims to question the generally accepted empowerment of Atwood’s Penelope and celebrates the murdered maids as the locus of emotion, where marginal aspects of gender and class merge to <em>weave</em> a powerful metaphorical tapestry of popular and traditionally feminized literary genres that, in plunging into and embracing the semiotic realm, ultimately solidify into an eclectic but compact alternative tradition of women’s writing and myth-making.</p>http://revistas.ucm.es/index.php/AMAL/article/view/47697Margaret AtwoodPenelopiadMythOdysseyFemale friendshipgyn/affectionhetero-reality |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Gerardo Rodríguez Salas |
spellingShingle |
Gerardo Rodríguez Salas ‘Close as a kiss’: Gyn/Affection in Margaret Atwood’s The Penelopiad Amaltea: Revista de Mitocrítica Margaret Atwood Penelopiad Myth Odyssey Female friendship gyn/affection hetero-reality |
author_facet |
Gerardo Rodríguez Salas |
author_sort |
Gerardo Rodríguez Salas |
title |
‘Close as a kiss’: Gyn/Affection in Margaret Atwood’s The Penelopiad |
title_short |
‘Close as a kiss’: Gyn/Affection in Margaret Atwood’s The Penelopiad |
title_full |
‘Close as a kiss’: Gyn/Affection in Margaret Atwood’s The Penelopiad |
title_fullStr |
‘Close as a kiss’: Gyn/Affection in Margaret Atwood’s The Penelopiad |
title_full_unstemmed |
‘Close as a kiss’: Gyn/Affection in Margaret Atwood’s The Penelopiad |
title_sort |
‘close as a kiss’: gyn/affection in margaret atwood’s the penelopiad |
publisher |
Universidad Complutense de Madrid |
series |
Amaltea: Revista de Mitocrítica |
issn |
1989-1709 |
publishDate |
2015-09-01 |
description |
<p>Margaret Atwood’s novella <em>The Penelopiad</em> (2005) seemingly celebrates Penelope’s agency in opposition to Homer’s myth in The <em>Odyssey</em>. However, the twelve murdered maids steal the book to suggest the possibility of what Janice Raymond calls <em>gyn/affection</em>, a female bonding based on the logic of emotion that, in Atwood’s revision, verges on Kristevan abjection, the sinister and the fantastic, and serves a cathartic effect not only in the maids but also in the reader. This essay aims to question the generally accepted empowerment of Atwood’s Penelope and celebrates the murdered maids as the locus of emotion, where marginal aspects of gender and class merge to <em>weave</em> a powerful metaphorical tapestry of popular and traditionally feminized literary genres that, in plunging into and embracing the semiotic realm, ultimately solidify into an eclectic but compact alternative tradition of women’s writing and myth-making.</p> |
topic |
Margaret Atwood Penelopiad Myth Odyssey Female friendship gyn/affection hetero-reality |
url |
http://revistas.ucm.es/index.php/AMAL/article/view/47697 |
work_keys_str_mv |
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