The evolution of popular music: USA 1960–2010

In modern societies, cultural change seems ceaseless. The flux of fashion is especially obvious for popular music. While much has been written about the origin and evolution of pop, most claims about its history are anecdotal rather than scientific in nature. To rectify this, we investigate the US B...

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Main Authors: Matthias Mauch, Robert M. MacCallum, Mark Levy, Armand M. Leroi
Format: Article
Language:English
Published: The Royal Society 2015-01-01
Series:Royal Society Open Science
Subjects:
Online Access:https://royalsocietypublishing.org/doi/pdf/10.1098/rsos.150081
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spelling doaj-abf17522fa744411a1a6fabb20543dbf2020-11-25T04:07:26ZengThe Royal SocietyRoyal Society Open Science2054-57032015-01-012510.1098/rsos.150081150081The evolution of popular music: USA 1960–2010Matthias MauchRobert M. MacCallumMark LevyArmand M. LeroiIn modern societies, cultural change seems ceaseless. The flux of fashion is especially obvious for popular music. While much has been written about the origin and evolution of pop, most claims about its history are anecdotal rather than scientific in nature. To rectify this, we investigate the US Billboard Hot 100 between 1960 and 2010. Using music information retrieval and text-mining tools, we analyse the musical properties of approximately 17 000 recordings that appeared in the charts and demonstrate quantitative trends in their harmonic and timbral properties. We then use these properties to produce an audio-based classification of musical styles and study the evolution of musical diversity and disparity, testing, and rejecting, several classical theories of cultural change. Finally, we investigate whether pop musical evolution has been gradual or punctuated. We show that, although pop music has evolved continuously, it did so with particular rapidity during three stylistic ‘revolutions’ around 1964, 1983 and 1991. We conclude by discussing how our study points the way to a quantitative science of cultural change.https://royalsocietypublishing.org/doi/pdf/10.1098/rsos.150081popular musicdiversitystylistic revolutionscultural evolution
collection DOAJ
language English
format Article
sources DOAJ
author Matthias Mauch
Robert M. MacCallum
Mark Levy
Armand M. Leroi
spellingShingle Matthias Mauch
Robert M. MacCallum
Mark Levy
Armand M. Leroi
The evolution of popular music: USA 1960–2010
Royal Society Open Science
popular music
diversity
stylistic revolutions
cultural evolution
author_facet Matthias Mauch
Robert M. MacCallum
Mark Levy
Armand M. Leroi
author_sort Matthias Mauch
title The evolution of popular music: USA 1960–2010
title_short The evolution of popular music: USA 1960–2010
title_full The evolution of popular music: USA 1960–2010
title_fullStr The evolution of popular music: USA 1960–2010
title_full_unstemmed The evolution of popular music: USA 1960–2010
title_sort evolution of popular music: usa 1960–2010
publisher The Royal Society
series Royal Society Open Science
issn 2054-5703
publishDate 2015-01-01
description In modern societies, cultural change seems ceaseless. The flux of fashion is especially obvious for popular music. While much has been written about the origin and evolution of pop, most claims about its history are anecdotal rather than scientific in nature. To rectify this, we investigate the US Billboard Hot 100 between 1960 and 2010. Using music information retrieval and text-mining tools, we analyse the musical properties of approximately 17 000 recordings that appeared in the charts and demonstrate quantitative trends in their harmonic and timbral properties. We then use these properties to produce an audio-based classification of musical styles and study the evolution of musical diversity and disparity, testing, and rejecting, several classical theories of cultural change. Finally, we investigate whether pop musical evolution has been gradual or punctuated. We show that, although pop music has evolved continuously, it did so with particular rapidity during three stylistic ‘revolutions’ around 1964, 1983 and 1991. We conclude by discussing how our study points the way to a quantitative science of cultural change.
topic popular music
diversity
stylistic revolutions
cultural evolution
url https://royalsocietypublishing.org/doi/pdf/10.1098/rsos.150081
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