Freebirthing in the United Kingdom: The Voice Centered Relational Method and the (de)Construction of the I-Poem
Freebirth occurs when women intentionally give birth to their baby without midwives or doctors present in countries and eras in which there are maternity services available to assist them. This paper forms part of a wider project on women’s freebirthing experiences in the United Kingdom. Verbatim tr...
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doaj-ab083164387f46e195ff806b62c3cf912021-04-27T21:34:17ZengSAGE PublishingInternational Journal of Qualitative Methods1609-40692021-04-012010.1177/1609406921993285Freebirthing in the United Kingdom: The Voice Centered Relational Method and the (de)Construction of the I-PoemGemma McKenzie0 Florence Nightingale Faculty of Nursing, Midwifery and Palliative Care, King’s College London, United KingdomFreebirth occurs when women intentionally give birth to their baby without midwives or doctors present in countries and eras in which there are maternity services available to assist them. This paper forms part of a wider project on women’s freebirthing experiences in the United Kingdom. Verbatim transcripts created from face-to-face narrative interviews with 16 freebirthing women were analyzed using the Voice Centered Relational Method (VCRM). VCRM is a feminist methodology that consists of four readings of an interview transcript: reading for the plot and the researcher’s response to it; reading for the I; reading for relationships; and placing people within cultural and social contexts. This paper focuses on the second reading and in particular the creation of I-poems from the data, which require the researcher to focus on sentences made by the interviewee that include the word “I,” and without changing the order of those sentences, to present them in poetic stanzas. While there is literature on this form of data presentation, there is a paucity of information on how to evolve the data from transcript to I-poem and the alternative ways researchers can construct I-poetry. The aims of this paper are to demonstrate the theoretical background to I-poems, the variations in their form, explain the steps taken to create I-poems from interview transcripts from freebirthing women and to highlight poetry as a novel way of disseminating research results beyond an academic audience.https://doi.org/10.1177/1609406921993285 |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Gemma McKenzie |
spellingShingle |
Gemma McKenzie Freebirthing in the United Kingdom: The Voice Centered Relational Method and the (de)Construction of the I-Poem International Journal of Qualitative Methods |
author_facet |
Gemma McKenzie |
author_sort |
Gemma McKenzie |
title |
Freebirthing in the United Kingdom: The Voice Centered Relational Method and the (de)Construction of the I-Poem |
title_short |
Freebirthing in the United Kingdom: The Voice Centered Relational Method and the (de)Construction of the I-Poem |
title_full |
Freebirthing in the United Kingdom: The Voice Centered Relational Method and the (de)Construction of the I-Poem |
title_fullStr |
Freebirthing in the United Kingdom: The Voice Centered Relational Method and the (de)Construction of the I-Poem |
title_full_unstemmed |
Freebirthing in the United Kingdom: The Voice Centered Relational Method and the (de)Construction of the I-Poem |
title_sort |
freebirthing in the united kingdom: the voice centered relational method and the (de)construction of the i-poem |
publisher |
SAGE Publishing |
series |
International Journal of Qualitative Methods |
issn |
1609-4069 |
publishDate |
2021-04-01 |
description |
Freebirth occurs when women intentionally give birth to their baby without midwives or doctors present in countries and eras in which there are maternity services available to assist them. This paper forms part of a wider project on women’s freebirthing experiences in the United Kingdom. Verbatim transcripts created from face-to-face narrative interviews with 16 freebirthing women were analyzed using the Voice Centered Relational Method (VCRM). VCRM is a feminist methodology that consists of four readings of an interview transcript: reading for the plot and the researcher’s response to it; reading for the I; reading for relationships; and placing people within cultural and social contexts. This paper focuses on the second reading and in particular the creation of I-poems from the data, which require the researcher to focus on sentences made by the interviewee that include the word “I,” and without changing the order of those sentences, to present them in poetic stanzas. While there is literature on this form of data presentation, there is a paucity of information on how to evolve the data from transcript to I-poem and the alternative ways researchers can construct I-poetry. The aims of this paper are to demonstrate the theoretical background to I-poems, the variations in their form, explain the steps taken to create I-poems from interview transcripts from freebirthing women and to highlight poetry as a novel way of disseminating research results beyond an academic audience. |
url |
https://doi.org/10.1177/1609406921993285 |
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