L’aura du Moyen Âge sur la scène contemporaine
Twentieth century dramatic transpositions of medieval matter, particularly Arthurian one, give various works which imply numerous questions about the aesthetic or ideological range of this choice of the Middle Ages. Indeed, there is a real difficulty, if not a wager, to translate medieval novels on...
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| Format: | Article |
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Pléiade (EA 7338)
2010-11-01
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| Series: | Itinéraires |
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| Online Access: | http://journals.openedition.org/itineraires/1859 |
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doaj-aab1444d784e4ce09e797f29987b80f2 |
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Article |
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doaj-aab1444d784e4ce09e797f29987b80f22020-11-25T00:02:07ZfraPléiade (EA 7338)Itinéraires2427-920X2010-11-012010312513710.4000/itineraires.1859L’aura du Moyen Âge sur la scène contemporaineMichèle GallyTwentieth century dramatic transpositions of medieval matter, particularly Arthurian one, give various works which imply numerous questions about the aesthetic or ideological range of this choice of the Middle Ages. Indeed, there is a real difficulty, if not a wager, to translate medieval novels on a stage. We shall consider a theatrical experiment of a present topic: the settings of Merlin or the devastated country (written in 1981 by the German playwright Tankred Dorst) by Lavelli in 2005 and Dana in 2009. The dramaturgical choices of each producer, the differences between the creations and the text of the play, allow us to ponder on relations carried by contemporary artists with the idea of the Middle Ages.http://journals.openedition.org/itineraires/1859dramaDorstgeneric transpositionMiddle Agesmodernism |
| collection |
DOAJ |
| language |
fra |
| format |
Article |
| sources |
DOAJ |
| author |
Michèle Gally |
| spellingShingle |
Michèle Gally L’aura du Moyen Âge sur la scène contemporaine Itinéraires drama Dorst generic transposition Middle Ages modernism |
| author_facet |
Michèle Gally |
| author_sort |
Michèle Gally |
| title |
L’aura du Moyen Âge sur la scène contemporaine |
| title_short |
L’aura du Moyen Âge sur la scène contemporaine |
| title_full |
L’aura du Moyen Âge sur la scène contemporaine |
| title_fullStr |
L’aura du Moyen Âge sur la scène contemporaine |
| title_full_unstemmed |
L’aura du Moyen Âge sur la scène contemporaine |
| title_sort |
l’aura du moyen âge sur la scène contemporaine |
| publisher |
Pléiade (EA 7338) |
| series |
Itinéraires |
| issn |
2427-920X |
| publishDate |
2010-11-01 |
| description |
Twentieth century dramatic transpositions of medieval matter, particularly Arthurian one, give various works which imply numerous questions about the aesthetic or ideological range of this choice of the Middle Ages. Indeed, there is a real difficulty, if not a wager, to translate medieval novels on a stage. We shall consider a theatrical experiment of a present topic: the settings of Merlin or the devastated country (written in 1981 by the German playwright Tankred Dorst) by Lavelli in 2005 and Dana in 2009. The dramaturgical choices of each producer, the differences between the creations and the text of the play, allow us to ponder on relations carried by contemporary artists with the idea of the Middle Ages. |
| topic |
drama Dorst generic transposition Middle Ages modernism |
| url |
http://journals.openedition.org/itineraires/1859 |
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AT michelegally lauradumoyenagesurlascenecontemporaine |
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