The Life of the Image

Preview: Bergson noted that the cinematographic image does not really move. It is, then as now, a series of still photographs. The real motion in such images is produced by machinery, which imparts a kinesis, an energy of movement, to the succession of fixed images. Our perception then endows such...

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Main Author: Randall E. Auxier
Format: Article
Language:English
Published: University of Warsaw 2020-04-01
Series:Eidos. A Journal for Philosophy of Culture
Online Access:http://eidos.uw.edu.pl/the-life-of-the-image/
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spelling doaj-aa5b8b25515c41eba2cfc73fcbef5bf32021-01-02T10:12:02ZengUniversity of WarsawEidos. A Journal for Philosophy of Culture2544-302X2544-302X2020-04-01411610.14394/eidos.jpc.2020.0001The Life of the ImageRandall E. Auxier0Department of Communication Studies, Southern Illinois University CarbondalePreview: Bergson noted that the cinematographic image does not really move. It is, then as now, a series of still photographs. The real motion in such images is produced by machinery, which imparts a kinesis, an energy of movement, to the succession of fixed images. Our perception then endows such images with their “life,” insofar as they can be said to possess life. It is an illusion, it is “virtual” both as space and time. The real duration, as generated by the machinery or as lived by the perceiver is part of a broader system of images that includes those still photographs and their succession. Images of images of images, by the time they are processed by our bodies and appear to our mind’s eye as inhibited acts we have not enacted.http://eidos.uw.edu.pl/the-life-of-the-image/
collection DOAJ
language English
format Article
sources DOAJ
author Randall E. Auxier
spellingShingle Randall E. Auxier
The Life of the Image
Eidos. A Journal for Philosophy of Culture
author_facet Randall E. Auxier
author_sort Randall E. Auxier
title The Life of the Image
title_short The Life of the Image
title_full The Life of the Image
title_fullStr The Life of the Image
title_full_unstemmed The Life of the Image
title_sort life of the image
publisher University of Warsaw
series Eidos. A Journal for Philosophy of Culture
issn 2544-302X
2544-302X
publishDate 2020-04-01
description Preview: Bergson noted that the cinematographic image does not really move. It is, then as now, a series of still photographs. The real motion in such images is produced by machinery, which imparts a kinesis, an energy of movement, to the succession of fixed images. Our perception then endows such images with their “life,” insofar as they can be said to possess life. It is an illusion, it is “virtual” both as space and time. The real duration, as generated by the machinery or as lived by the perceiver is part of a broader system of images that includes those still photographs and their succession. Images of images of images, by the time they are processed by our bodies and appear to our mind’s eye as inhibited acts we have not enacted.
url http://eidos.uw.edu.pl/the-life-of-the-image/
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