The Notion of Aesthetic Imperative in the Early Bakhtin

The article deals with the aesthetics of the early Bakhtin as manifested in the work Author and Hero in Aesthetic Activity. The essay primarily points out a methodological discrepancy between Bakhtin’s early philosophy and his aesthetics as variations of phenomenology. The former implies unmediated...

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Main Author: Alexander A. Yudin
Format: Article
Language:English
Published: A.M. Gorky Institute of World Literature of the Russian Academy of Sciences 2018-09-01
Series:Studia Litterarum
Subjects:
Online Access:http://studlit.ru/images/2018-3-3/Yudin.pdf
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spelling doaj-aa50c6dcb68a4937bb2a6f475c297fff2020-11-25T02:29:15ZengA.M. Gorky Institute of World Literature of the Russian Academy of SciencesStudia Litterarum2500-42472541-85642018-09-0133102510.22455/2500-4247-2018-3-3-10-25The Notion of Aesthetic Imperative in the Early BakhtinAlexander A. Yudin0National Pedagogical Dragomanov University, Kiev, UkraineThe article deals with the aesthetics of the early Bakhtin as manifested in the work Author and Hero in Aesthetic Activity. The essay primarily points out a methodological discrepancy between Bakhtin’s early philosophy and his aesthetics as variations of phenomenology. The former implies unmediated description while the latter is always mediated by the text albeit ignoring the difference between the author and the subject of description as two different centers of responsibility. The key notions of Bakhtin’s aesthetics such as “consummation” and “aesthetic love” are borrowed from Hermann Cohen yet reconsidered from a different metaphysical standpoint. Aesthetic activity appears as analogous to religious salvation and as expression of the aesthetic ought. But the notion of the ought, according to Bakhtin’s early philosophy, relates to the event of being which cannot be grasped theoretically but can be achieved only through participative thinking. This means reattribution of the reader’s activity of consummation to the author. Consequently, the notion of the author-creator appears as the undifferentiated combination of the author as transcendental subjectivity and the researcher’s own activity of consummation guided by religious-aesthetic ideal and described in the tones of aesthetic ought. The essay argues that early Bakhtin’s aesthetics (and philosophy) had transitional character as partially successful surpassing of philosophical transcendentalism. It also proposes reconsidering the notion of the aesthetic ought as the hermeneutical ought.http://studlit.ru/images/2018-3-3/Yudin.pdfauthor-creatortranscendental philosophytranscendental authorphenomenological methodaesthetic consummationsurplus of visionaesthetic loveaesthetic oughthermeneutical ought
collection DOAJ
language English
format Article
sources DOAJ
author Alexander A. Yudin
spellingShingle Alexander A. Yudin
The Notion of Aesthetic Imperative in the Early Bakhtin
Studia Litterarum
author-creator
transcendental philosophy
transcendental author
phenomenological method
aesthetic consummation
surplus of vision
aesthetic love
aesthetic ought
hermeneutical ought
author_facet Alexander A. Yudin
author_sort Alexander A. Yudin
title The Notion of Aesthetic Imperative in the Early Bakhtin
title_short The Notion of Aesthetic Imperative in the Early Bakhtin
title_full The Notion of Aesthetic Imperative in the Early Bakhtin
title_fullStr The Notion of Aesthetic Imperative in the Early Bakhtin
title_full_unstemmed The Notion of Aesthetic Imperative in the Early Bakhtin
title_sort notion of aesthetic imperative in the early bakhtin
publisher A.M. Gorky Institute of World Literature of the Russian Academy of Sciences
series Studia Litterarum
issn 2500-4247
2541-8564
publishDate 2018-09-01
description The article deals with the aesthetics of the early Bakhtin as manifested in the work Author and Hero in Aesthetic Activity. The essay primarily points out a methodological discrepancy between Bakhtin’s early philosophy and his aesthetics as variations of phenomenology. The former implies unmediated description while the latter is always mediated by the text albeit ignoring the difference between the author and the subject of description as two different centers of responsibility. The key notions of Bakhtin’s aesthetics such as “consummation” and “aesthetic love” are borrowed from Hermann Cohen yet reconsidered from a different metaphysical standpoint. Aesthetic activity appears as analogous to religious salvation and as expression of the aesthetic ought. But the notion of the ought, according to Bakhtin’s early philosophy, relates to the event of being which cannot be grasped theoretically but can be achieved only through participative thinking. This means reattribution of the reader’s activity of consummation to the author. Consequently, the notion of the author-creator appears as the undifferentiated combination of the author as transcendental subjectivity and the researcher’s own activity of consummation guided by religious-aesthetic ideal and described in the tones of aesthetic ought. The essay argues that early Bakhtin’s aesthetics (and philosophy) had transitional character as partially successful surpassing of philosophical transcendentalism. It also proposes reconsidering the notion of the aesthetic ought as the hermeneutical ought.
topic author-creator
transcendental philosophy
transcendental author
phenomenological method
aesthetic consummation
surplus of vision
aesthetic love
aesthetic ought
hermeneutical ought
url http://studlit.ru/images/2018-3-3/Yudin.pdf
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