Die Internationale der Bilder

The essay deals with a concept in historical research, referred to as semio-history and imagology. The author attempts to develop a certain theoretical basis and a methodology to analyse visual sources for historical research, based on the assumption of a common international ability to decod...

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Main Author: Georg Schmid
Format: Article
Language:deu
Published: StudienVerlag 1991-12-01
Series:Österreichische Zeitschrift für Geschichtswissenschaften
Online Access:https://journals.univie.ac.at/index.php/oezg/article/view/5381
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spelling doaj-aa1d31a03da64bc7b3a19e1d7718f8722021-03-19T20:46:58ZdeuStudienVerlagÖsterreichische Zeitschrift für Geschichtswissenschaften1016-765X2707-966X1991-12-012410.25365/oezg-1991-2-4-4Die Internationale der BilderGeorg Schmid0Institut für Geschichte, Universität Salzburg The essay deals with a concept in historical research, referred to as semio-history and imagology. The author attempts to develop a certain theoretical basis and a methodology to analyse visual sources for historical research, based on the assumption of a common international ability to decode pictures. He presents his arguments by describing and analysing films situated in the time of the French Revolution (among these films by Scola, Tavernier, and Wajda). On this basis, he refers to methodological issues of the current debate in semio-history, putting forward the necessity of an interdisciplinary approach. https://journals.univie.ac.at/index.php/oezg/article/view/5381
collection DOAJ
language deu
format Article
sources DOAJ
author Georg Schmid
spellingShingle Georg Schmid
Die Internationale der Bilder
Österreichische Zeitschrift für Geschichtswissenschaften
author_facet Georg Schmid
author_sort Georg Schmid
title Die Internationale der Bilder
title_short Die Internationale der Bilder
title_full Die Internationale der Bilder
title_fullStr Die Internationale der Bilder
title_full_unstemmed Die Internationale der Bilder
title_sort die internationale der bilder
publisher StudienVerlag
series Österreichische Zeitschrift für Geschichtswissenschaften
issn 1016-765X
2707-966X
publishDate 1991-12-01
description The essay deals with a concept in historical research, referred to as semio-history and imagology. The author attempts to develop a certain theoretical basis and a methodology to analyse visual sources for historical research, based on the assumption of a common international ability to decode pictures. He presents his arguments by describing and analysing films situated in the time of the French Revolution (among these films by Scola, Tavernier, and Wajda). On this basis, he refers to methodological issues of the current debate in semio-history, putting forward the necessity of an interdisciplinary approach.
url https://journals.univie.ac.at/index.php/oezg/article/view/5381
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