Aldo Oliva: a ghost in Argentine poetry
Aldo Oliva (1927-2000) presents several problems to the researcher: acknowledged as an indispensable voice in Argentinian poetry (to quote David Viñas), his work, however, still waits for academic reception, and has circulated for many years in a marginal and reduced way. His reluctance to publish,...
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Universidad Nacional de Mar del Plata
2017-03-01
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Series: | Estudios de Teoría Literaria |
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Online Access: | http://fh.mdp.edu.ar/revistas/index.php/etl/article/view/1723 |
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doaj-a9ffa22fded5458c91868e5f6fd053082020-11-24T23:14:48ZspaUniversidad Nacional de Mar del PlataEstudios de Teoría Literaria2313-96762017-03-016112032161668Aldo Oliva: a ghost in Argentine poetryBruno Crisorio0Universidad Nacional de La PlataAldo Oliva (1927-2000) presents several problems to the researcher: acknowledged as an indispensable voice in Argentinian poetry (to quote David Viñas), his work, however, still waits for academic reception, and has circulated for many years in a marginal and reduced way. His reluctance to publish, his distance from any poetic movement of the second half of the XXth century, the complexity of his work explains, in part, this situation. In this context, the present article tries to locate Oliva in the history of Argentinian poetry; to that end, and considering that his work as well as his creative project prevent any linear and chronological approach, I have used the concepts of “anachronism” (Didi-Huberman), “contemporary” (Agamben) o “constellation” (Benjamin), that revealed themselves useful to think this spectral figure that is at the same time unavoidable and invisible.http://fh.mdp.edu.ar/revistas/index.php/etl/article/view/1723poesíahistoria de la literaturawalter benjaminanacronismoatlas |
collection |
DOAJ |
language |
Spanish |
format |
Article |
sources |
DOAJ |
author |
Bruno Crisorio |
spellingShingle |
Bruno Crisorio Aldo Oliva: a ghost in Argentine poetry Estudios de Teoría Literaria poesía historia de la literatura walter benjamin anacronismo atlas |
author_facet |
Bruno Crisorio |
author_sort |
Bruno Crisorio |
title |
Aldo Oliva: a ghost in Argentine poetry |
title_short |
Aldo Oliva: a ghost in Argentine poetry |
title_full |
Aldo Oliva: a ghost in Argentine poetry |
title_fullStr |
Aldo Oliva: a ghost in Argentine poetry |
title_full_unstemmed |
Aldo Oliva: a ghost in Argentine poetry |
title_sort |
aldo oliva: a ghost in argentine poetry |
publisher |
Universidad Nacional de Mar del Plata |
series |
Estudios de Teoría Literaria |
issn |
2313-9676 |
publishDate |
2017-03-01 |
description |
Aldo Oliva (1927-2000) presents several problems to the researcher: acknowledged as an indispensable voice in Argentinian poetry (to quote David Viñas), his work, however, still waits for academic reception, and has circulated for many years in a marginal and reduced way. His reluctance to publish, his distance from any poetic movement of the second half of the XXth century, the complexity of his work explains, in part, this situation. In this context, the present article tries to locate Oliva in the history of Argentinian poetry; to that end, and considering that his work as well as his creative project prevent any linear and chronological approach, I have used the concepts of “anachronism” (Didi-Huberman), “contemporary” (Agamben) o “constellation” (Benjamin), that revealed themselves useful to think this spectral figure that is at the same time unavoidable and invisible. |
topic |
poesía historia de la literatura walter benjamin anacronismo atlas |
url |
http://fh.mdp.edu.ar/revistas/index.php/etl/article/view/1723 |
work_keys_str_mv |
AT brunocrisorio aldoolivaaghostinargentinepoetry |
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1725593462554755072 |