"Virgen bella, nuestras paces os encargo": «Las paces de los Reyes y judía de Toledo» or the Political Bet on a Miraculous Image

In the first decade of the 17th century —according to Morley and Bruerton’s cronology— Lope de Vega wrote Las paces de los Reyes y judía de Toledo. The key issues that scholars have addressed are mainly two: the dramatic structure of the play and its political meaning. Up until the recent studies of...

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Main Author: Roser López Cruz
Format: Article
Language:Spanish
Published: Universitat Autònoma de Barcelona 2019-01-01
Series:Anuario Lope de Vega: Texto, Literatura, Cultura
Subjects:
Online Access:https://revistes.uab.cat/anuariolopedevega/article/view/304
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spelling doaj-a9ded5c60f3e42d5a6e1c481be1a9a9f2021-05-04T16:10:46ZspaUniversitat Autònoma de BarcelonaAnuario Lope de Vega: Texto, Literatura, Cultura2014-88602019-01-0125025728010.5565/rev/anuariolopedevega.304259"Virgen bella, nuestras paces os encargo": «Las paces de los Reyes y judía de Toledo» or the Political Bet on a Miraculous ImageRoser López Cruz0King's College LondonIn the first decade of the 17th century —according to Morley and Bruerton’s cronology— Lope de Vega wrote Las paces de los Reyes y judía de Toledo. The key issues that scholars have addressed are mainly two: the dramatic structure of the play and its political meaning. Up until the recent studies of Abraham Madroñal, scholars have approached the latter through the metaphors of the love affair of King Alphonso and the beautiful Jewess. Madroñal has opened up a new line of research pointing out the relevance of the Sanctuary of Our Lady of Charity of Illescas and its context. In this paper, I examine closely this context and the circumstances in which Lope might have composed this particular play, which leads to suggesting the actual year of composition. On the other hand, Illescas and the Sanctuary of Our Lady of Charity play an important role in the third act leading to a conclusion quite different from the well-known legend of King Alphonso and the Jewess. Therefore, I revisit the meanings of the play in the light of the previously mentioned context.https://revistes.uab.cat/anuariolopedevega/article/view/304lope de vegateatroillescassantuario de nuestra señora de la caridadtoledoduque de lermafelipe iii
collection DOAJ
language Spanish
format Article
sources DOAJ
author Roser López Cruz
spellingShingle Roser López Cruz
"Virgen bella, nuestras paces os encargo": «Las paces de los Reyes y judía de Toledo» or the Political Bet on a Miraculous Image
Anuario Lope de Vega: Texto, Literatura, Cultura
lope de vega
teatro
illescas
santuario de nuestra señora de la caridad
toledo
duque de lerma
felipe iii
author_facet Roser López Cruz
author_sort Roser López Cruz
title "Virgen bella, nuestras paces os encargo": «Las paces de los Reyes y judía de Toledo» or the Political Bet on a Miraculous Image
title_short "Virgen bella, nuestras paces os encargo": «Las paces de los Reyes y judía de Toledo» or the Political Bet on a Miraculous Image
title_full "Virgen bella, nuestras paces os encargo": «Las paces de los Reyes y judía de Toledo» or the Political Bet on a Miraculous Image
title_fullStr "Virgen bella, nuestras paces os encargo": «Las paces de los Reyes y judía de Toledo» or the Political Bet on a Miraculous Image
title_full_unstemmed "Virgen bella, nuestras paces os encargo": «Las paces de los Reyes y judía de Toledo» or the Political Bet on a Miraculous Image
title_sort "virgen bella, nuestras paces os encargo": «las paces de los reyes y judía de toledo» or the political bet on a miraculous image
publisher Universitat Autònoma de Barcelona
series Anuario Lope de Vega: Texto, Literatura, Cultura
issn 2014-8860
publishDate 2019-01-01
description In the first decade of the 17th century —according to Morley and Bruerton’s cronology— Lope de Vega wrote Las paces de los Reyes y judía de Toledo. The key issues that scholars have addressed are mainly two: the dramatic structure of the play and its political meaning. Up until the recent studies of Abraham Madroñal, scholars have approached the latter through the metaphors of the love affair of King Alphonso and the beautiful Jewess. Madroñal has opened up a new line of research pointing out the relevance of the Sanctuary of Our Lady of Charity of Illescas and its context. In this paper, I examine closely this context and the circumstances in which Lope might have composed this particular play, which leads to suggesting the actual year of composition. On the other hand, Illescas and the Sanctuary of Our Lady of Charity play an important role in the third act leading to a conclusion quite different from the well-known legend of King Alphonso and the Jewess. Therefore, I revisit the meanings of the play in the light of the previously mentioned context.
topic lope de vega
teatro
illescas
santuario de nuestra señora de la caridad
toledo
duque de lerma
felipe iii
url https://revistes.uab.cat/anuariolopedevega/article/view/304
work_keys_str_mv AT roserlopezcruz virgenbellanuestraspacesosencargolaspacesdelosreyesyjudiadetoledoorthepoliticalbetonamiraculousimage
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