"Virgen bella, nuestras paces os encargo": «Las paces de los Reyes y judía de Toledo» or the Political Bet on a Miraculous Image
In the first decade of the 17th century —according to Morley and Bruerton’s cronology— Lope de Vega wrote Las paces de los Reyes y judía de Toledo. The key issues that scholars have addressed are mainly two: the dramatic structure of the play and its political meaning. Up until the recent studies of...
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Universitat Autònoma de Barcelona
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Online Access: | https://revistes.uab.cat/anuariolopedevega/article/view/304 |
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doaj-a9ded5c60f3e42d5a6e1c481be1a9a9f2021-05-04T16:10:46ZspaUniversitat Autònoma de BarcelonaAnuario Lope de Vega: Texto, Literatura, Cultura2014-88602019-01-0125025728010.5565/rev/anuariolopedevega.304259"Virgen bella, nuestras paces os encargo": «Las paces de los Reyes y judía de Toledo» or the Political Bet on a Miraculous ImageRoser López Cruz0King's College LondonIn the first decade of the 17th century —according to Morley and Bruerton’s cronology— Lope de Vega wrote Las paces de los Reyes y judía de Toledo. The key issues that scholars have addressed are mainly two: the dramatic structure of the play and its political meaning. Up until the recent studies of Abraham Madroñal, scholars have approached the latter through the metaphors of the love affair of King Alphonso and the beautiful Jewess. Madroñal has opened up a new line of research pointing out the relevance of the Sanctuary of Our Lady of Charity of Illescas and its context. In this paper, I examine closely this context and the circumstances in which Lope might have composed this particular play, which leads to suggesting the actual year of composition. On the other hand, Illescas and the Sanctuary of Our Lady of Charity play an important role in the third act leading to a conclusion quite different from the well-known legend of King Alphonso and the Jewess. Therefore, I revisit the meanings of the play in the light of the previously mentioned context.https://revistes.uab.cat/anuariolopedevega/article/view/304lope de vegateatroillescassantuario de nuestra señora de la caridadtoledoduque de lermafelipe iii |
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DOAJ |
language |
Spanish |
format |
Article |
sources |
DOAJ |
author |
Roser López Cruz |
spellingShingle |
Roser López Cruz "Virgen bella, nuestras paces os encargo": «Las paces de los Reyes y judía de Toledo» or the Political Bet on a Miraculous Image Anuario Lope de Vega: Texto, Literatura, Cultura lope de vega teatro illescas santuario de nuestra señora de la caridad toledo duque de lerma felipe iii |
author_facet |
Roser López Cruz |
author_sort |
Roser López Cruz |
title |
"Virgen bella, nuestras paces os encargo": «Las paces de los Reyes y judía de Toledo» or the Political Bet on a Miraculous Image |
title_short |
"Virgen bella, nuestras paces os encargo": «Las paces de los Reyes y judía de Toledo» or the Political Bet on a Miraculous Image |
title_full |
"Virgen bella, nuestras paces os encargo": «Las paces de los Reyes y judía de Toledo» or the Political Bet on a Miraculous Image |
title_fullStr |
"Virgen bella, nuestras paces os encargo": «Las paces de los Reyes y judía de Toledo» or the Political Bet on a Miraculous Image |
title_full_unstemmed |
"Virgen bella, nuestras paces os encargo": «Las paces de los Reyes y judía de Toledo» or the Political Bet on a Miraculous Image |
title_sort |
"virgen bella, nuestras paces os encargo": «las paces de los reyes y judía de toledo» or the political bet on a miraculous image |
publisher |
Universitat Autònoma de Barcelona |
series |
Anuario Lope de Vega: Texto, Literatura, Cultura |
issn |
2014-8860 |
publishDate |
2019-01-01 |
description |
In the first decade of the 17th century —according to Morley and Bruerton’s cronology— Lope de Vega wrote Las paces de los Reyes y judía de Toledo. The key issues that scholars have addressed are mainly two: the dramatic structure of the play and its political meaning. Up until the recent studies of Abraham Madroñal, scholars have approached the latter through the metaphors of the love affair of King Alphonso and the beautiful Jewess. Madroñal has opened up a new line of research pointing out the relevance of the Sanctuary of Our Lady of Charity of Illescas and its context. In this paper, I examine closely this context and the circumstances in which Lope might have composed this particular play, which leads to suggesting the actual year of composition. On the other hand, Illescas and the Sanctuary of Our Lady of Charity play an important role in the third act leading to a conclusion quite different from the well-known legend of King Alphonso and the Jewess. Therefore, I revisit the meanings of the play in the light of the previously mentioned context. |
topic |
lope de vega teatro illescas santuario de nuestra señora de la caridad toledo duque de lerma felipe iii |
url |
https://revistes.uab.cat/anuariolopedevega/article/view/304 |
work_keys_str_mv |
AT roserlopezcruz virgenbellanuestraspacesosencargolaspacesdelosreyesyjudiadetoledoorthepoliticalbetonamiraculousimage |
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