Crossmodal interactions during affective picture processing.

"Natural" crossmodal correspondences, such as the spontaneous tendency to associate high pitches with high spatial locations, are often hypothesized to occur preattentively and independently of task instructions (top-down attention). Here, we investigate bottom-up attentional engagement by...

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Main Authors: Vera Ferrari, Serena Mastria, Nicola Bruno
Format: Article
Language:English
Published: Public Library of Science (PLoS) 2014-01-01
Series:PLoS ONE
Online Access:http://europepmc.org/articles/PMC3937419?pdf=render
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spelling doaj-a9dacfc903ed43dab568d1979b2559352020-11-25T01:17:25ZengPublic Library of Science (PLoS)PLoS ONE1932-62032014-01-0192e8985810.1371/journal.pone.0089858Crossmodal interactions during affective picture processing.Vera FerrariSerena MastriaNicola Bruno"Natural" crossmodal correspondences, such as the spontaneous tendency to associate high pitches with high spatial locations, are often hypothesized to occur preattentively and independently of task instructions (top-down attention). Here, we investigate bottom-up attentional engagement by using emotional scenes that are known to naturally and reflexively engage attentional resources. We presented emotional (pleasant and unpleasant) or neutral pictures either below or above a fixation cross, while participants were required to discriminate between a high or a low pitch tone (experiment 1). Results showed that despite a robust crossmodal attentional capture of task-irrelevant emotional pictures, the general advantage in classifying the tones for congruent over incongruent visual-auditory stimuli was similar for emotional and neutral pictures. On the other hand, when picture position was task-relevant (experiment 2), task-irrelevant tones did not interact with pictures with regard to their combination of pitch and visual vertical spatial position, but instead they were effective in minimizing the interference effect of emotional picture processing on the ongoing task. These results provide constraints on our current understanding of natural crossmodal correspondences.http://europepmc.org/articles/PMC3937419?pdf=render
collection DOAJ
language English
format Article
sources DOAJ
author Vera Ferrari
Serena Mastria
Nicola Bruno
spellingShingle Vera Ferrari
Serena Mastria
Nicola Bruno
Crossmodal interactions during affective picture processing.
PLoS ONE
author_facet Vera Ferrari
Serena Mastria
Nicola Bruno
author_sort Vera Ferrari
title Crossmodal interactions during affective picture processing.
title_short Crossmodal interactions during affective picture processing.
title_full Crossmodal interactions during affective picture processing.
title_fullStr Crossmodal interactions during affective picture processing.
title_full_unstemmed Crossmodal interactions during affective picture processing.
title_sort crossmodal interactions during affective picture processing.
publisher Public Library of Science (PLoS)
series PLoS ONE
issn 1932-6203
publishDate 2014-01-01
description "Natural" crossmodal correspondences, such as the spontaneous tendency to associate high pitches with high spatial locations, are often hypothesized to occur preattentively and independently of task instructions (top-down attention). Here, we investigate bottom-up attentional engagement by using emotional scenes that are known to naturally and reflexively engage attentional resources. We presented emotional (pleasant and unpleasant) or neutral pictures either below or above a fixation cross, while participants were required to discriminate between a high or a low pitch tone (experiment 1). Results showed that despite a robust crossmodal attentional capture of task-irrelevant emotional pictures, the general advantage in classifying the tones for congruent over incongruent visual-auditory stimuli was similar for emotional and neutral pictures. On the other hand, when picture position was task-relevant (experiment 2), task-irrelevant tones did not interact with pictures with regard to their combination of pitch and visual vertical spatial position, but instead they were effective in minimizing the interference effect of emotional picture processing on the ongoing task. These results provide constraints on our current understanding of natural crossmodal correspondences.
url http://europepmc.org/articles/PMC3937419?pdf=render
work_keys_str_mv AT veraferrari crossmodalinteractionsduringaffectivepictureprocessing
AT serenamastria crossmodalinteractionsduringaffectivepictureprocessing
AT nicolabruno crossmodalinteractionsduringaffectivepictureprocessing
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