Mémoriser et répéter : l’exercice dans la construction d’un art du comédien dans le second XVIIIe siècle à Paris

This article provides a historical look at the concept of exercise in art by investigating the profession of actor in the second half of the 18th century. While a real theatromania takes hold of the French society, actors and actresses must meet the demands of an audience fond of new releases. We hi...

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Main Author: Suzanne Rochefort
Format: Article
Language:fra
Published: Université de Lille 2021-01-01
Series:Methodos
Subjects:
Online Access:http://journals.openedition.org/methodos/8098
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spelling doaj-a9da2029518f48d89dad529c0ab8bfdc2021-02-09T16:02:15ZfraUniversité de LilleMethodos1769-73792021-01-012110.4000/methodos.8098Mémoriser et répéter : l’exercice dans la construction d’un art du comédien dans le second XVIIIe siècle à ParisSuzanne RochefortThis article provides a historical look at the concept of exercise in art by investigating the profession of actor in the second half of the 18th century. While a real theatromania takes hold of the French society, actors and actresses must meet the demands of an audience fond of new releases. We highlight practices that are less visible in the artistic work, such as memorizing roles, or organizing exercises within the first French drama school (1786-1789). We also show that the growing recognition of the centrality of both physical and intellectual exercises in the profession of actor helped defining the specificity of dramatic art in the second eighteenth century.http://journals.openedition.org/methodos/8098theateractorartistic workdrama schoollearningdramatic art
collection DOAJ
language fra
format Article
sources DOAJ
author Suzanne Rochefort
spellingShingle Suzanne Rochefort
Mémoriser et répéter : l’exercice dans la construction d’un art du comédien dans le second XVIIIe siècle à Paris
Methodos
theater
actor
artistic work
drama school
learning
dramatic art
author_facet Suzanne Rochefort
author_sort Suzanne Rochefort
title Mémoriser et répéter : l’exercice dans la construction d’un art du comédien dans le second XVIIIe siècle à Paris
title_short Mémoriser et répéter : l’exercice dans la construction d’un art du comédien dans le second XVIIIe siècle à Paris
title_full Mémoriser et répéter : l’exercice dans la construction d’un art du comédien dans le second XVIIIe siècle à Paris
title_fullStr Mémoriser et répéter : l’exercice dans la construction d’un art du comédien dans le second XVIIIe siècle à Paris
title_full_unstemmed Mémoriser et répéter : l’exercice dans la construction d’un art du comédien dans le second XVIIIe siècle à Paris
title_sort mémoriser et répéter : l’exercice dans la construction d’un art du comédien dans le second xviiie siècle à paris
publisher Université de Lille
series Methodos
issn 1769-7379
publishDate 2021-01-01
description This article provides a historical look at the concept of exercise in art by investigating the profession of actor in the second half of the 18th century. While a real theatromania takes hold of the French society, actors and actresses must meet the demands of an audience fond of new releases. We highlight practices that are less visible in the artistic work, such as memorizing roles, or organizing exercises within the first French drama school (1786-1789). We also show that the growing recognition of the centrality of both physical and intellectual exercises in the profession of actor helped defining the specificity of dramatic art in the second eighteenth century.
topic theater
actor
artistic work
drama school
learning
dramatic art
url http://journals.openedition.org/methodos/8098
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