Breaking Up From What?

This study, which provides close readings of short stories written by 朱文 (1967-), Han Dong 韩东 (1961-) and Dong Xi (1966-), major exponents of a Nanjing-based group of writers called Duanlie 断裂 (Rupture), suggests that for these writers the body is represented in terms of human capital (suzhi 素质)...

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Main Author: Pirazzoli, Melinda
Format: Article
Language:English
Published: Edizioni Ca’ Foscari 2019-06-01
Series:Annali di Ca’ Foscari: Serie Orientale
Subjects:
Online Access:https://edizionicafoscari.unive.it/riviste/annali-di-ca-foscari-serie-orientale/2019/55/breaking-up-from-what/
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spelling doaj-a94234fd89cf495982dd501e8a2c1cb72021-06-02T06:30:19ZengEdizioni Ca’ FoscariAnnali di Ca’ Foscari: Serie Orientale2385-30422019-06-0155110.30687/AnnOr/2385-3042/2019/01/012journal_article_1836Breaking Up From What?Pirazzoli, Melinda0Alma Mater Studiorum, Università di Bologna, Italia This study, which provides close readings of short stories written by 朱文 (1967-), Han Dong 韩东 (1961-) and Dong Xi (1966-), major exponents of a Nanjing-based group of writers called Duanlie 断裂 (Rupture), suggests that for these writers the body is represented in terms of human capital (suzhi 素质) in a way that resonates well with what the political scientist Crawford Brough Macpherson has defined as «possessive individualism». In fact, their characters’ individual private body is for them the most important capital as well as the primary object of self-investment; they owe nothing to society; they regard personal relations as market relations breaking free from traditional kinship bonds and, finally, they regard themselves as «proprietor of themselves». What these middle-class intellectuals introduce in their writings is the newly-born middle-class consumer willing to celebrate, as Paterson says, «carnivalesque consuming bodies celebrating popular pleasures, not of the mind, but of the body» (2005, 105). https://edizionicafoscari.unive.it/riviste/annali-di-ca-foscari-serie-orientale/2019/55/breaking-up-from-what/Body. Rupture Movement. Possessive Individualism. Chinese Values. Chinese Middle-class Consumers.
collection DOAJ
language English
format Article
sources DOAJ
author Pirazzoli, Melinda
spellingShingle Pirazzoli, Melinda
Breaking Up From What?
Annali di Ca’ Foscari: Serie Orientale
Body. Rupture Movement. Possessive Individualism. Chinese Values. Chinese Middle-class Consumers.
author_facet Pirazzoli, Melinda
author_sort Pirazzoli, Melinda
title Breaking Up From What?
title_short Breaking Up From What?
title_full Breaking Up From What?
title_fullStr Breaking Up From What?
title_full_unstemmed Breaking Up From What?
title_sort breaking up from what?
publisher Edizioni Ca’ Foscari
series Annali di Ca’ Foscari: Serie Orientale
issn 2385-3042
publishDate 2019-06-01
description This study, which provides close readings of short stories written by 朱文 (1967-), Han Dong 韩东 (1961-) and Dong Xi (1966-), major exponents of a Nanjing-based group of writers called Duanlie 断裂 (Rupture), suggests that for these writers the body is represented in terms of human capital (suzhi 素质) in a way that resonates well with what the political scientist Crawford Brough Macpherson has defined as «possessive individualism». In fact, their characters’ individual private body is for them the most important capital as well as the primary object of self-investment; they owe nothing to society; they regard personal relations as market relations breaking free from traditional kinship bonds and, finally, they regard themselves as «proprietor of themselves». What these middle-class intellectuals introduce in their writings is the newly-born middle-class consumer willing to celebrate, as Paterson says, «carnivalesque consuming bodies celebrating popular pleasures, not of the mind, but of the body» (2005, 105).
topic Body. Rupture Movement. Possessive Individualism. Chinese Values. Chinese Middle-class Consumers.
url https://edizionicafoscari.unive.it/riviste/annali-di-ca-foscari-serie-orientale/2019/55/breaking-up-from-what/
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