Parasites of the Glory
Conservation as a basic task of the museum rests on the recognition of artworks. However, within the domain of contemporary art, the recognition process is often demanding and controversial, demonstrating a performative and reflexive effect. As a crucial action through which Conservation defines its...
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| Format: | Article |
| Language: | English |
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Association CeROArt
2014-01-01
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| Series: | CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
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| Online Access: | http://journals.openedition.org/ceroart/3768 |
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doaj-a8e135ce9006422b865f5c1fb4d30ecb2020-11-24T23:51:01ZengAssociation CeROArtCeROArt : Conservation, Exposition, Restauration d'Objets d'Art1784-50922014-01-01910.4000/ceroart.3768Parasites of the GloryPaolo MartoreConservation as a basic task of the museum rests on the recognition of artworks. However, within the domain of contemporary art, the recognition process is often demanding and controversial, demonstrating a performative and reflexive effect. As a crucial action through which Conservation defines itself by defining the artwork’s values, recognition is the moment when the neglected ideological facet of the museum’s mission comes to light.http://journals.openedition.org/ceroart/3768contemporary artethicsrecognitionideologyconservationconservator-restorer |
| collection |
DOAJ |
| language |
English |
| format |
Article |
| sources |
DOAJ |
| author |
Paolo Martore |
| spellingShingle |
Paolo Martore Parasites of the Glory CeROArt : Conservation, Exposition, Restauration d'Objets d'Art contemporary art ethics recognition ideology conservation conservator-restorer |
| author_facet |
Paolo Martore |
| author_sort |
Paolo Martore |
| title |
Parasites of the Glory |
| title_short |
Parasites of the Glory |
| title_full |
Parasites of the Glory |
| title_fullStr |
Parasites of the Glory |
| title_full_unstemmed |
Parasites of the Glory |
| title_sort |
parasites of the glory |
| publisher |
Association CeROArt |
| series |
CeROArt : Conservation, Exposition, Restauration d'Objets d'Art |
| issn |
1784-5092 |
| publishDate |
2014-01-01 |
| description |
Conservation as a basic task of the museum rests on the recognition of artworks. However, within the domain of contemporary art, the recognition process is often demanding and controversial, demonstrating a performative and reflexive effect. As a crucial action through which Conservation defines itself by defining the artwork’s values, recognition is the moment when the neglected ideological facet of the museum’s mission comes to light. |
| topic |
contemporary art ethics recognition ideology conservation conservator-restorer |
| url |
http://journals.openedition.org/ceroart/3768 |
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AT paolomartore parasitesoftheglory |
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