El cine de las mujeres en México: situando el deseo del sujeto femenino

Millán argues that Mexican women's cinema of the eighties is similar to the rest of Latin-American cinema in that it also shows a movement towards interiority. She suggests that this movement is seen, for instance, in the films of Marisa Sistach, Busi Cortés and María Novaro. The main aims behi...

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Main Author: Márgara Millán
Format: Article
Language:Catalan
Published: Universitat de Barcelona; Universitat Autònoma de Barcelona 2001-01-01
Series:Lectora: Revista de Dones i Textualitat
Online Access:http://revistes.ub.edu/index.php/lectora/article/view/7017
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spelling doaj-a8d9cde601204bffbd0491840c8da6bb2020-11-24T22:43:56ZcatUniversitat de Barcelona; Universitat Autònoma de BarcelonaLectora: Revista de Dones i Textualitat1136-57812013-94702001-01-010747526794El cine de las mujeres en México: situando el deseo del sujeto femeninoMárgara MillánMillán argues that Mexican women's cinema of the eighties is similar to the rest of Latin-American cinema in that it also shows a movement towards interiority. She suggests that this movement is seen, for instance, in the films of Marisa Sistach, Busi Cortés and María Novaro. The main aims behind this interiorization are coming to terms with the past (with the past in images, with the past in the history of the country), the acknowledgement of one’s own sensitivity (romanticism recovered in a feminist way), and the emergence of magic realism as denaturalization of women’s world, as a way of making representation visible. Millán suggests that this interiorization runs the risk of neglecting one’s social and historical realities. However, she goes on to suggest that this process of interiorization may perhaps be an essential initial step before denouncing women’s social and historical oppresion.http://revistes.ub.edu/index.php/lectora/article/view/7017
collection DOAJ
language Catalan
format Article
sources DOAJ
author Márgara Millán
spellingShingle Márgara Millán
El cine de las mujeres en México: situando el deseo del sujeto femenino
Lectora: Revista de Dones i Textualitat
author_facet Márgara Millán
author_sort Márgara Millán
title El cine de las mujeres en México: situando el deseo del sujeto femenino
title_short El cine de las mujeres en México: situando el deseo del sujeto femenino
title_full El cine de las mujeres en México: situando el deseo del sujeto femenino
title_fullStr El cine de las mujeres en México: situando el deseo del sujeto femenino
title_full_unstemmed El cine de las mujeres en México: situando el deseo del sujeto femenino
title_sort el cine de las mujeres en méxico: situando el deseo del sujeto femenino
publisher Universitat de Barcelona; Universitat Autònoma de Barcelona
series Lectora: Revista de Dones i Textualitat
issn 1136-5781
2013-9470
publishDate 2001-01-01
description Millán argues that Mexican women's cinema of the eighties is similar to the rest of Latin-American cinema in that it also shows a movement towards interiority. She suggests that this movement is seen, for instance, in the films of Marisa Sistach, Busi Cortés and María Novaro. The main aims behind this interiorization are coming to terms with the past (with the past in images, with the past in the history of the country), the acknowledgement of one’s own sensitivity (romanticism recovered in a feminist way), and the emergence of magic realism as denaturalization of women’s world, as a way of making representation visible. Millán suggests that this interiorization runs the risk of neglecting one’s social and historical realities. However, she goes on to suggest that this process of interiorization may perhaps be an essential initial step before denouncing women’s social and historical oppresion.
url http://revistes.ub.edu/index.php/lectora/article/view/7017
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