Review of Joanna Demers. 2010. Listening Through the Noise: The Aesthetics of Experimental Electronic Music. Oxford, UK: Oxford University Press. Nick Collins and Julio d’Escriván. 2007. The Cambridge Companion to Electronic Music. Cambridge, UK: Cambridg
In Listening Through the Noise, Demers presents an aesthetic theory of experimental electronic music accompanied by audio examples which can be found online. In The Cambridge Companion to Electronic Music (CCTEM), electronic music and technology’s influence on 20th and 21st century music making is...
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| Format: | Article |
| Language: | English |
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Columbia University Libraries
2010-09-01
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| Series: | Current Musicology |
| Online Access: | https://journals.library.columbia.edu/index.php/currentmusicology/article/view/5193 |