Two manuscript versions of Tadeusz Różewicz’s Kartoteka

This article discusses two handwritten versions of Tadeusz Różewicz’s Kartoteka (The Card Index) from the manuscript of the play which since the 70s is to be found in Professor Józef Kelery’s archive. The range of differences between the manuscript and the printed version of the drama is<br />...

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Main Author: Zbigniew Władysław Solski
Format: Article
Language:Polish
Published: Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza w Poznaniu 2010-01-01
Series:Przestrzenie Teorii
Online Access:http://pressto.amu.edu.pl/index.php/pt/article/view/3435
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spelling doaj-a84d2b984acf4b82b2ef5102b46305e92020-11-25T00:24:46ZpolWydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza w PoznaniuPrzestrzenie Teorii1644-67632450-57652010-01-0113295410.14746/pt.2010.13.23406Two manuscript versions of Tadeusz Różewicz’s KartotekaZbigniew Władysław SolskiThis article discusses two handwritten versions of Tadeusz Różewicz’s Kartoteka (The Card Index) from the manuscript of the play which since the 70s is to be found in Professor Józef Kelery’s archive. The range of differences between the manuscript and the printed version of the drama is<br />comparable as between Kartoteka (The Card Index) and Kartoteka rozrzucona (The Scattered Card Index). In the manuscript the author distinguished Kartoteka (The Card Index) and Odmiana tekstu (The Kind of Text). A similar division into Kartoteka (The Card Index) and Odmiana tekstu (The Kind of Text) was used by the poet when the works were printed in 1971. Loose pages from Odmiana tekstu (The Kind of Text) contain unordered fragments of the play of written in 1957. These are<br />mainly variants of conversations of the Hero with the Choir in which the author referred to the then vivid debate on the poetic drama. Mieczysław Kotlarczyk was made a hidden partner of discussion and disguised the Choir as actors of Teatr Rapsodyczny (The Rhapsodic Theatre). On the other hand, Kartoteka (The Card Index) of 1958 is a well-ordered and coherent paginated text by the author himself. In this version the author divided the play into three acts, putting most emphasis on the scene of the Wielki Egzamin (A Big Exam). He also removes unrealistic motifs, among other things, the scene when the Choir participates. The poet writes about the peerelowska (Polish People’s Republic’s the reality with the passion of a political commentator, referring to political harassment).http://pressto.amu.edu.pl/index.php/pt/article/view/3435
collection DOAJ
language Polish
format Article
sources DOAJ
author Zbigniew Władysław Solski
spellingShingle Zbigniew Władysław Solski
Two manuscript versions of Tadeusz Różewicz’s Kartoteka
Przestrzenie Teorii
author_facet Zbigniew Władysław Solski
author_sort Zbigniew Władysław Solski
title Two manuscript versions of Tadeusz Różewicz’s Kartoteka
title_short Two manuscript versions of Tadeusz Różewicz’s Kartoteka
title_full Two manuscript versions of Tadeusz Różewicz’s Kartoteka
title_fullStr Two manuscript versions of Tadeusz Różewicz’s Kartoteka
title_full_unstemmed Two manuscript versions of Tadeusz Różewicz’s Kartoteka
title_sort two manuscript versions of tadeusz różewicz’s kartoteka
publisher Wydawnictwo Naukowe Uniwersytetu im. Adama Mickiewicza w Poznaniu
series Przestrzenie Teorii
issn 1644-6763
2450-5765
publishDate 2010-01-01
description This article discusses two handwritten versions of Tadeusz Różewicz’s Kartoteka (The Card Index) from the manuscript of the play which since the 70s is to be found in Professor Józef Kelery’s archive. The range of differences between the manuscript and the printed version of the drama is<br />comparable as between Kartoteka (The Card Index) and Kartoteka rozrzucona (The Scattered Card Index). In the manuscript the author distinguished Kartoteka (The Card Index) and Odmiana tekstu (The Kind of Text). A similar division into Kartoteka (The Card Index) and Odmiana tekstu (The Kind of Text) was used by the poet when the works were printed in 1971. Loose pages from Odmiana tekstu (The Kind of Text) contain unordered fragments of the play of written in 1957. These are<br />mainly variants of conversations of the Hero with the Choir in which the author referred to the then vivid debate on the poetic drama. Mieczysław Kotlarczyk was made a hidden partner of discussion and disguised the Choir as actors of Teatr Rapsodyczny (The Rhapsodic Theatre). On the other hand, Kartoteka (The Card Index) of 1958 is a well-ordered and coherent paginated text by the author himself. In this version the author divided the play into three acts, putting most emphasis on the scene of the Wielki Egzamin (A Big Exam). He also removes unrealistic motifs, among other things, the scene when the Choir participates. The poet writes about the peerelowska (Polish People’s Republic’s the reality with the passion of a political commentator, referring to political harassment).
url http://pressto.amu.edu.pl/index.php/pt/article/view/3435
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