| Summary: | This essay reflects on the demise of British constructionism. Constructionism had emerged in the 1950s, developing a socially engaged art closely aligned with post-war architecture. Its moment was not to last however, and, as discourses changed in the 1960s and 1970s, constructionism was marginalised. This essay traces social and economic shifts, but it is the changing cultural discourses—particularly those associated with critical art—that are the primary concern. This essay focuses on two case studies: one, the constructionist involvement in the Sixth Congress of the International Union of Architects in London in 1961; the other, Victor Pasmore’s work in Peterlee New Town (1955–1977). Both cases form the background for celebrated cultural interventions, by Gustav Metzger and Stuart Brisley respectively. Considered on constructionist terms and in relation to the conflicts apparent in relation to emergent critical practices, these two case studies shape an understanding of constructionism’s falling out of favour.
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