Nu Shu GPS: 25°21’00.5N, 111°27’17.7E—An Interdisciplinary Cooperation between Dance, Calligraphy, and the Body in Multimedia Performance

'Nu Shu GPS: 25 °21’00.5N, 111°27’17.7E' – an interdisciplinary cooperation between dance, calligraphy, and the body in multimedia performance, began with a diary exchange between the artist and a friend, who shared their thoughts by writing in the same journal. During this ‘diary swapping...

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Main Authors: Yun-Ju Chen, Fiona Hui-Wen Cheng
Format: Article
Language:English
Published: Open Library of Humanities 2018-04-01
Series:Body, Space & Technology Journal
Subjects:
Online Access:https://www.bstjournal.com/articles/299
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spelling doaj-a7462350b72f48cf9b57db38f7112bae2020-11-24T22:06:36ZengOpen Library of HumanitiesBody, Space & Technology Journal1470-91202018-04-0117111813010.16995/bst.299296Nu Shu GPS: 25°21’00.5N, 111°27’17.7E—An Interdisciplinary Cooperation between Dance, Calligraphy, and the Body in Multimedia PerformanceYun-Ju Chen0Fiona Hui-Wen Cheng1The Institute of Applied Arts, National Chiao Tung UniversityFreelance Art Writer'Nu Shu GPS: 25 °21’00.5N, 111°27’17.7E' – an interdisciplinary cooperation between dance, calligraphy, and the body in multimedia performance, began with a diary exchange between the artist and a friend, who shared their thoughts by writing in the same journal. During this ‘diary swapping’ period, they developed a semiotic system that only the two of them could understand. Later, the artist came across Nu Shu, the only written language in the world that exclusively women learned to write and read. The artist attempts to explore all the possible metaphors and meanings implied by Nu Shu. The performance 'Nu Shu GPS: 25 °21’00.5N, 111°27’17' attempts to bring this secret method of communication back to life among modern Chinese women. This interdisciplinary performance work employs a practical approach to art through a creative collaboration among experts from different fields: choreographers, dancers, lighting designers, programmers, etc. It attempts to apply the three stages of the art creation process (Praxis, Symbol, Presence) as the three different faces for a theory regarding this work.https://www.bstjournal.com/articles/299Technology performance artsinterdisciplinary cooperationinteractive visualNu Shufeminism
collection DOAJ
language English
format Article
sources DOAJ
author Yun-Ju Chen
Fiona Hui-Wen Cheng
spellingShingle Yun-Ju Chen
Fiona Hui-Wen Cheng
Nu Shu GPS: 25°21’00.5N, 111°27’17.7E—An Interdisciplinary Cooperation between Dance, Calligraphy, and the Body in Multimedia Performance
Body, Space & Technology Journal
Technology performance arts
interdisciplinary cooperation
interactive visual
Nu Shu
feminism
author_facet Yun-Ju Chen
Fiona Hui-Wen Cheng
author_sort Yun-Ju Chen
title Nu Shu GPS: 25°21’00.5N, 111°27’17.7E—An Interdisciplinary Cooperation between Dance, Calligraphy, and the Body in Multimedia Performance
title_short Nu Shu GPS: 25°21’00.5N, 111°27’17.7E—An Interdisciplinary Cooperation between Dance, Calligraphy, and the Body in Multimedia Performance
title_full Nu Shu GPS: 25°21’00.5N, 111°27’17.7E—An Interdisciplinary Cooperation between Dance, Calligraphy, and the Body in Multimedia Performance
title_fullStr Nu Shu GPS: 25°21’00.5N, 111°27’17.7E—An Interdisciplinary Cooperation between Dance, Calligraphy, and the Body in Multimedia Performance
title_full_unstemmed Nu Shu GPS: 25°21’00.5N, 111°27’17.7E—An Interdisciplinary Cooperation between Dance, Calligraphy, and the Body in Multimedia Performance
title_sort nu shu gps: 25°21’00.5n, 111°27’17.7e—an interdisciplinary cooperation between dance, calligraphy, and the body in multimedia performance
publisher Open Library of Humanities
series Body, Space & Technology Journal
issn 1470-9120
publishDate 2018-04-01
description 'Nu Shu GPS: 25 °21’00.5N, 111°27’17.7E' – an interdisciplinary cooperation between dance, calligraphy, and the body in multimedia performance, began with a diary exchange between the artist and a friend, who shared their thoughts by writing in the same journal. During this ‘diary swapping’ period, they developed a semiotic system that only the two of them could understand. Later, the artist came across Nu Shu, the only written language in the world that exclusively women learned to write and read. The artist attempts to explore all the possible metaphors and meanings implied by Nu Shu. The performance 'Nu Shu GPS: 25 °21’00.5N, 111°27’17' attempts to bring this secret method of communication back to life among modern Chinese women. This interdisciplinary performance work employs a practical approach to art through a creative collaboration among experts from different fields: choreographers, dancers, lighting designers, programmers, etc. It attempts to apply the three stages of the art creation process (Praxis, Symbol, Presence) as the three different faces for a theory regarding this work.
topic Technology performance arts
interdisciplinary cooperation
interactive visual
Nu Shu
feminism
url https://www.bstjournal.com/articles/299
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AT fionahuiwencheng nushugps2521005n11127177eaninterdisciplinarycooperationbetweendancecalligraphyandthebodyinmultimediaperformance
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