The versification of the Romansh poet Andri Peer: the heptasyllable and hendecasyllable in his early free forms
This paper examines the versification style of the Romansh poet Andri Peer, who can be considered as the first “modern” poet of the Romansh literature. It focuses on Andri Peer’s most frequently used verse lines in his early free forms: the heptasyllabic and hendecasyllabic verse. A rhythmical analy...
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doaj-a6fe15daa38d46138da05dd0beef42fc2020-11-25T03:04:27ZengUniversity of Tartu PressStudia Metrica et Poetica2346-69012346-691X2017-08-014110.12697/smp.2017.4.1.04The versification of the Romansh poet Andri Peer: the heptasyllable and hendecasyllable in his early free formsRenzo Caduff0University of Geneva, Unité de rhétoromanche, Rue St-Ours 5, CH-1205 GenevaThis paper examines the versification style of the Romansh poet Andri Peer, who can be considered as the first “modern” poet of the Romansh literature. It focuses on Andri Peer’s most frequently used verse lines in his early free forms: the heptasyllabic and hendecasyllabic verse. A rhythmical analysis of the single verse instances revealed that the internal organisation of the line is not very elaborate. In the case of the heptasyllables found in his early free forms, only four patterns make up over 80% of all heptasyllabic verses. Regarding Peer’s hendecasyllables, it is shown that his arrangement of the prominent syllables is rather regular, especially in comparison to the hendecasyllables of his precursor Peider Lansel. This trend in Peer’s versification to use fixed dispositions of syllables is interpreted as a compensation for the loss of other structural features such as the stanza or the rhyme.https://ojs.utlib.ee/index.php/smp/article/view/13561heptasyllabic and hendecasyllabic verseversification styleversi ombraRomansh poetry |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Renzo Caduff |
spellingShingle |
Renzo Caduff The versification of the Romansh poet Andri Peer: the heptasyllable and hendecasyllable in his early free forms Studia Metrica et Poetica heptasyllabic and hendecasyllabic verse versification style versi ombra Romansh poetry |
author_facet |
Renzo Caduff |
author_sort |
Renzo Caduff |
title |
The versification of the Romansh poet Andri Peer: the heptasyllable and hendecasyllable in his early free forms |
title_short |
The versification of the Romansh poet Andri Peer: the heptasyllable and hendecasyllable in his early free forms |
title_full |
The versification of the Romansh poet Andri Peer: the heptasyllable and hendecasyllable in his early free forms |
title_fullStr |
The versification of the Romansh poet Andri Peer: the heptasyllable and hendecasyllable in his early free forms |
title_full_unstemmed |
The versification of the Romansh poet Andri Peer: the heptasyllable and hendecasyllable in his early free forms |
title_sort |
versification of the romansh poet andri peer: the heptasyllable and hendecasyllable in his early free forms |
publisher |
University of Tartu Press |
series |
Studia Metrica et Poetica |
issn |
2346-6901 2346-691X |
publishDate |
2017-08-01 |
description |
This paper examines the versification style of the Romansh poet Andri Peer, who can be considered as the first “modern” poet of the Romansh literature. It focuses on Andri Peer’s most frequently used verse lines in his early free forms: the heptasyllabic and hendecasyllabic verse. A rhythmical analysis of the single verse instances revealed that the internal organisation of the line is not very elaborate. In the case of the heptasyllables found in his early free forms, only four patterns make up over 80% of all heptasyllabic verses. Regarding Peer’s hendecasyllables, it is shown that his arrangement of the prominent syllables is rather regular, especially in comparison to the hendecasyllables of his precursor Peider Lansel. This trend in Peer’s versification to use fixed dispositions of syllables is interpreted as a compensation for the loss of other structural features such as the stanza or the rhyme. |
topic |
heptasyllabic and hendecasyllabic verse versification style versi ombra Romansh poetry |
url |
https://ojs.utlib.ee/index.php/smp/article/view/13561 |
work_keys_str_mv |
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