"Language of painting": what language?

This paper aims to reflect on two possible senses of the concept of “language of painting”, a keynotion for the critical discourse on the visual arts in the 20th century. The contrast between two visions of language: the structuralist and the Wittegensteinian offers an opportunity to ask about the p...

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Main Author: Olga Guerizoli-Kempinska
Format: Article
Language:Portuguese
Published: Universidade Federal Fluminense 2006-06-01
Series:Gragoatá
Subjects:
Online Access:http://www.gragoata.uff.br/index.php/gragoata/article/view/328
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spelling doaj-a6f361e5c39f49149494af985f548f4c2020-11-24T21:41:05ZporUniversidade Federal FluminenseGragoatá1413-90732358-41142006-06-011120297"Language of painting": what language?Olga Guerizoli-Kempinska0PUC-RioThis paper aims to reflect on two possible senses of the concept of “language of painting”, a keynotion for the critical discourse on the visual arts in the 20th century. The contrast between two visions of language: the structuralist and the Wittegensteinian offers an opportunity to ask about the possible operational character of the one and/or the other inside the domain of the reflection on painting.http://www.gragoata.uff.br/index.php/gragoata/article/view/328linguagem da pintura, estruturalismo, jogos de linguagem
collection DOAJ
language Portuguese
format Article
sources DOAJ
author Olga Guerizoli-Kempinska
spellingShingle Olga Guerizoli-Kempinska
"Language of painting": what language?
Gragoatá
linguagem da pintura, estruturalismo, jogos de linguagem
author_facet Olga Guerizoli-Kempinska
author_sort Olga Guerizoli-Kempinska
title "Language of painting": what language?
title_short "Language of painting": what language?
title_full "Language of painting": what language?
title_fullStr "Language of painting": what language?
title_full_unstemmed "Language of painting": what language?
title_sort "language of painting": what language?
publisher Universidade Federal Fluminense
series Gragoatá
issn 1413-9073
2358-4114
publishDate 2006-06-01
description This paper aims to reflect on two possible senses of the concept of “language of painting”, a keynotion for the critical discourse on the visual arts in the 20th century. The contrast between two visions of language: the structuralist and the Wittegensteinian offers an opportunity to ask about the possible operational character of the one and/or the other inside the domain of the reflection on painting.
topic linguagem da pintura, estruturalismo, jogos de linguagem
url http://www.gragoata.uff.br/index.php/gragoata/article/view/328
work_keys_str_mv AT olgaguerizolikempinska languageofpaintingwhatlanguage
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