Concierto Barroco: desdobramentos musicais
In Concierto Barraco, the chapter "Mexico Conquest" talks about the musical representation of the theme in the center of cultural production. Such movement takes place through the interaction between word and music in relation to the plot of the book. The barroc conception articulate the h...
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2004-01-01
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doaj-a6b521620a6a4b8f8608345c4fbed91d2020-11-25T02:21:58ZporUniversidade Federal de Santa CatarinaOutra Travessia1807-50022176-85522004-01-0103839610.5007/2176-8552.2004n3p8310746Concierto Barroco: desdobramentos musicaisIsabel Jasinski0Universidade Federal do ParanáIn Concierto Barraco, the chapter "Mexico Conquest" talks about the musical representation of the theme in the center of cultural production. Such movement takes place through the interaction between word and music in relation to the plot of the book. The barroc conception articulate the historical facts with the opera and the carnival. In an opera, the voice stands out above the instruments, the concert and the carnival are there to configurate the polyphony, replacing time references, the space, physics and psiquics of the American Being.https://periodicos.ufsc.br/index.php/Outra/article/view/12903barrocoliteraturamúsica |
collection |
DOAJ |
language |
Portuguese |
format |
Article |
sources |
DOAJ |
author |
Isabel Jasinski |
spellingShingle |
Isabel Jasinski Concierto Barroco: desdobramentos musicais Outra Travessia barroco literatura música |
author_facet |
Isabel Jasinski |
author_sort |
Isabel Jasinski |
title |
Concierto Barroco: desdobramentos musicais |
title_short |
Concierto Barroco: desdobramentos musicais |
title_full |
Concierto Barroco: desdobramentos musicais |
title_fullStr |
Concierto Barroco: desdobramentos musicais |
title_full_unstemmed |
Concierto Barroco: desdobramentos musicais |
title_sort |
concierto barroco: desdobramentos musicais |
publisher |
Universidade Federal de Santa Catarina |
series |
Outra Travessia |
issn |
1807-5002 2176-8552 |
publishDate |
2004-01-01 |
description |
In Concierto Barraco, the chapter "Mexico Conquest" talks about the musical representation of the theme in the center of cultural production. Such movement takes place through the interaction between word and music in relation to the plot of the book. The barroc conception articulate the historical facts with the opera and the carnival. In an opera, the voice stands out above the instruments, the concert and the carnival are there to configurate the polyphony, replacing time references, the space, physics and psiquics of the American Being. |
topic |
barroco literatura música |
url |
https://periodicos.ufsc.br/index.php/Outra/article/view/12903 |
work_keys_str_mv |
AT isabeljasinski conciertobarrocodesdobramentosmusicais |
_version_ |
1724864262016335872 |