Genre Theory and Historicism

Genre is a word whose time has come — and gone — and might now, perhaps, be coming back again. Debates about particular literary kinds have been common in literary criticism since Aristotle's Poetics, but they acquired a new intensity and reflexivity in the third quarter of the twentieth centur...

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Bibliographic Details
Main Authors: Ted Underwood, NovelTM Research Group
Format: Article
Language:English
Published: Department of Languages, Literatures, and Cultures at McGill University 2016-10-01
Series:Journal of Cultural Analytics
Subjects:
Online Access:https://doi.org/10.31235/osf.io/dav64
Description
Summary:Genre is a word whose time has come — and gone — and might now, perhaps, be coming back again. Debates about particular literary kinds have been common in literary criticism since Aristotle's Poetics, but they acquired a new intensity and reflexivity in the third quarter of the twentieth century, as structuralists and post-structuralists struggled to redefine the concept of genre itself. From Northrop Frye's Anatomy of Criticism (1957) through Jacques Derrida's "Law of Genre" (1980), genre theory gave scholars a way to connect literary works to durable cultural patterns — or challenge the possibility of that connection.
ISSN:2371-4549