The Political Potential of Popular Culture in Turkey: The Reading of Three TV Series: Leyla ile Mecnun, Ben de Özledim and Beş Kardeş

Inspired by Fiske’s argument about the political potential of popular culture, this article reads three Turkish television series Leyla ile Mecnun [Leyla and Mecnun], Ben de Özledim [I Missed You Too], and Beş Kardeş [Five Brothers] and discusses their political potential. These three TV series, dir...

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Main Author: Demet Lüküslü
Format: Article
Language:English
Published: Groupe de Recherche Identités et Cultures 2018-07-01
Series:TV Series
Subjects:
Online Access:http://journals.openedition.org/tvseries/2608
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spelling doaj-a5c25304d87e4150b2edd4d2269ef9322020-11-24T23:10:03ZengGroupe de Recherche Identités et CulturesTV Series 2266-09092018-07-011310.4000/tvseries.2608The Political Potential of Popular Culture in Turkey: The Reading of Three TV Series: Leyla ile Mecnun, Ben de Özledim and Beş KardeşDemet LüküslüInspired by Fiske’s argument about the political potential of popular culture, this article reads three Turkish television series Leyla ile Mecnun [Leyla and Mecnun], Ben de Özledim [I Missed You Too], and Beş Kardeş [Five Brothers] and discusses their political potential. These three TV series, directed by the same director and featuring the same main cast, can also be read as “one” TV series instead of three totally different ones. It is argued here that these three TV series have close links with each other and created a close contact with the viewers. This is a series that sends a “wink” to the viewers, making it possible to observe the interrelationship between the text, the producer and the audience. Secondly, this article discusses how these TV series resist the dominant systems (both the political system and that of the ratings of the TV world) and demonstrate the potential of TV series to become a force of opposition.http://journals.openedition.org/tvseries/2608TV seriespopular culturepolitical oppositionTurkeysociology of educationsocial movements
collection DOAJ
language English
format Article
sources DOAJ
author Demet Lüküslü
spellingShingle Demet Lüküslü
The Political Potential of Popular Culture in Turkey: The Reading of Three TV Series: Leyla ile Mecnun, Ben de Özledim and Beş Kardeş
TV Series
TV series
popular culture
political opposition
Turkey
sociology of education
social movements
author_facet Demet Lüküslü
author_sort Demet Lüküslü
title The Political Potential of Popular Culture in Turkey: The Reading of Three TV Series: Leyla ile Mecnun, Ben de Özledim and Beş Kardeş
title_short The Political Potential of Popular Culture in Turkey: The Reading of Three TV Series: Leyla ile Mecnun, Ben de Özledim and Beş Kardeş
title_full The Political Potential of Popular Culture in Turkey: The Reading of Three TV Series: Leyla ile Mecnun, Ben de Özledim and Beş Kardeş
title_fullStr The Political Potential of Popular Culture in Turkey: The Reading of Three TV Series: Leyla ile Mecnun, Ben de Özledim and Beş Kardeş
title_full_unstemmed The Political Potential of Popular Culture in Turkey: The Reading of Three TV Series: Leyla ile Mecnun, Ben de Özledim and Beş Kardeş
title_sort political potential of popular culture in turkey: the reading of three tv series: leyla ile mecnun, ben de özledim and beş kardeş
publisher Groupe de Recherche Identités et Cultures
series TV Series
issn 2266-0909
publishDate 2018-07-01
description Inspired by Fiske’s argument about the political potential of popular culture, this article reads three Turkish television series Leyla ile Mecnun [Leyla and Mecnun], Ben de Özledim [I Missed You Too], and Beş Kardeş [Five Brothers] and discusses their political potential. These three TV series, directed by the same director and featuring the same main cast, can also be read as “one” TV series instead of three totally different ones. It is argued here that these three TV series have close links with each other and created a close contact with the viewers. This is a series that sends a “wink” to the viewers, making it possible to observe the interrelationship between the text, the producer and the audience. Secondly, this article discusses how these TV series resist the dominant systems (both the political system and that of the ratings of the TV world) and demonstrate the potential of TV series to become a force of opposition.
topic TV series
popular culture
political opposition
Turkey
sociology of education
social movements
url http://journals.openedition.org/tvseries/2608
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