La Grammatica in Dante
Grammar in Dante occupies one of the two poles of the diglossic paradigm characteristic of the linguistic culture of the Middle Ages. Reflection on grammar is developed creatively from the <em>Vita Nuova</em> to the <em>Commedia</em>, starting from Aristotelian-Thomist concep...
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Series: | Quaderns d'Italià |
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Online Access: | https://revistes.uab.cat/quadernsitalia/article/view/338 |
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doaj-a5a4aa4898fa4d739ebc16fd0affec952021-02-16T15:23:13ZcatSwervei de publicacions Quaderns d'Italià1135-97302014-88282013-11-01180154410.5565/rev/qdi.338310La Grammatica in DanteRaffaele Pinto0Universitat de BarcelonaGrammar in Dante occupies one of the two poles of the diglossic paradigm characteristic of the linguistic culture of the Middle Ages. Reflection on grammar is developed creatively from the <em>Vita Nuova</em> to the <em>Commedia</em>, starting from Aristotelian-Thomist concepts and leading to the definitive neutralisation of the diglossia demonstrated especially in the <em>Convivio</em> and the <em>De vulgari.</em> This neutralisation will be theorised in Canto XXVI of the <em>Paradiso</em>.https://revistes.uab.cat/quadernsitalia/article/view/338grammaticavolgarediglossiababeleadamo |
collection |
DOAJ |
language |
Catalan |
format |
Article |
sources |
DOAJ |
author |
Raffaele Pinto |
spellingShingle |
Raffaele Pinto La Grammatica in Dante Quaderns d'Italià grammatica volgare diglossia babele adamo |
author_facet |
Raffaele Pinto |
author_sort |
Raffaele Pinto |
title |
La Grammatica in Dante |
title_short |
La Grammatica in Dante |
title_full |
La Grammatica in Dante |
title_fullStr |
La Grammatica in Dante |
title_full_unstemmed |
La Grammatica in Dante |
title_sort |
la grammatica in dante |
publisher |
Swervei de publicacions |
series |
Quaderns d'Italià |
issn |
1135-9730 2014-8828 |
publishDate |
2013-11-01 |
description |
Grammar in Dante occupies one of the two poles of the diglossic paradigm characteristic of the linguistic culture of the Middle Ages. Reflection on grammar is developed creatively from the <em>Vita Nuova</em> to the <em>Commedia</em>, starting from Aristotelian-Thomist concepts and leading to the definitive neutralisation of the diglossia demonstrated especially in the <em>Convivio</em> and the <em>De vulgari.</em> This neutralisation will be theorised in Canto XXVI of the <em>Paradiso</em>. |
topic |
grammatica volgare diglossia babele adamo |
url |
https://revistes.uab.cat/quadernsitalia/article/view/338 |
work_keys_str_mv |
AT raffaelepinto lagrammaticaindante |
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1724267335442759680 |