Literatura e fotografia em Bisa Bia, Bisa Bel

The poetics of Bisa Bia, Bisa Bel (1981) emphasizes its literary quality and allows multiple interpretations: one of them, object of investigation of this article, is the consideration that there is a hybrid language, resulting from the association between the literary and photographic. From this, I...

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Main Authors: Pedro Afonso Barth, Vanessa Ferreira dos Santos Valles Leal
Format: Article
Language:Portuguese
Published: Universidade Federal do Tocantins 2018-02-01
Series:Porto das Letras
Online Access:https://sistemas.uft.edu.br/periodicos/index.php/portodasletras/article/view/4518
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spelling doaj-a5708719eff449daa84e9cdcccb277a32020-11-25T00:14:23ZporUniversidade Federal do TocantinsPorto das Letras2448-08192448-08192018-02-013296117Literatura e fotografia em Bisa Bia, Bisa BelPedro Afonso Barth 0Vanessa Ferreira dos Santos Valles Leal 1Universidade Estadual de MaringáUniversidade Estadual de MaringáThe poetics of Bisa Bia, Bisa Bel (1981) emphasizes its literary quality and allows multiple interpretations: one of them, object of investigation of this article, is the consideration that there is a hybrid language, resulting from the association between the literary and photographic. From this, I will present how the fruitful relationship between literature and photography in the work of Ana Maria Machado (1941) happens. It is the reader/hearer who will make the mooring between these two arts. Currently, reflections on the intersection of the arts have been common, which justifies the writing of this article. In addition, the photograph element present in Bisa Bia, Bisa Bel can be attractive to contemporary readers who are interested in technologies and are concerned with their images on social networks. Such an approach updates and recognizes the aesthetic-artistic character of a work of the eighties, fostering the reflections of Brazilian youth literature, which is gradually constituted as a literary field. In addition, my interest in photography contributed to the direction of the study. The methodology used in this article was based on a bibliographical research of literary theories - specifically on juvenile literature, poetry, image and time - and philosophical postulates about photography.https://sistemas.uft.edu.br/periodicos/index.php/portodasletras/article/view/4518
collection DOAJ
language Portuguese
format Article
sources DOAJ
author Pedro Afonso Barth
Vanessa Ferreira dos Santos Valles Leal
spellingShingle Pedro Afonso Barth
Vanessa Ferreira dos Santos Valles Leal
Literatura e fotografia em Bisa Bia, Bisa Bel
Porto das Letras
author_facet Pedro Afonso Barth
Vanessa Ferreira dos Santos Valles Leal
author_sort Pedro Afonso Barth
title Literatura e fotografia em Bisa Bia, Bisa Bel
title_short Literatura e fotografia em Bisa Bia, Bisa Bel
title_full Literatura e fotografia em Bisa Bia, Bisa Bel
title_fullStr Literatura e fotografia em Bisa Bia, Bisa Bel
title_full_unstemmed Literatura e fotografia em Bisa Bia, Bisa Bel
title_sort literatura e fotografia em bisa bia, bisa bel
publisher Universidade Federal do Tocantins
series Porto das Letras
issn 2448-0819
2448-0819
publishDate 2018-02-01
description The poetics of Bisa Bia, Bisa Bel (1981) emphasizes its literary quality and allows multiple interpretations: one of them, object of investigation of this article, is the consideration that there is a hybrid language, resulting from the association between the literary and photographic. From this, I will present how the fruitful relationship between literature and photography in the work of Ana Maria Machado (1941) happens. It is the reader/hearer who will make the mooring between these two arts. Currently, reflections on the intersection of the arts have been common, which justifies the writing of this article. In addition, the photograph element present in Bisa Bia, Bisa Bel can be attractive to contemporary readers who are interested in technologies and are concerned with their images on social networks. Such an approach updates and recognizes the aesthetic-artistic character of a work of the eighties, fostering the reflections of Brazilian youth literature, which is gradually constituted as a literary field. In addition, my interest in photography contributed to the direction of the study. The methodology used in this article was based on a bibliographical research of literary theories - specifically on juvenile literature, poetry, image and time - and philosophical postulates about photography.
url https://sistemas.uft.edu.br/periodicos/index.php/portodasletras/article/view/4518
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