La dichotomie de l’espace dans L’Amour, la fantasia d’Assia Djebar
Assia Djebar’s literary work is based on a dichotomy of space that reflects the gender segregation in Muslim society where women are confined to the domestic space while men occupy the public space. By analyzing Djebar’s autobiographical novel Fantasia: An Algerian Cavalcade (1985), we aim to co...
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Editura Universităţii Aurel Vlaicu Arad
2017-05-01
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| Series: | Journal of Humanistic and Social Studies |
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| Online Access: | http://www.jhss.ro/downloads/15/articles/1%20Garoiu.pdf |
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doaj-a525b33b65934d4e8f8860280edee52d2021-03-02T08:28:00ZdeuEditura Universităţii Aurel Vlaicu AradJournal of Humanistic and Social Studies2067-65572247-23712017-05-01VIII1 920La dichotomie de l’espace dans L’Amour, la fantasia d’Assia DjebarMonica Garoiu0 University of Tennessee-Chattanooga, USAAssia Djebar’s literary work is based on a dichotomy of space that reflects the gender segregation in Muslim society where women are confined to the domestic space while men occupy the public space. By analyzing Djebar’s autobiographical novel Fantasia: An Algerian Cavalcade (1985), we aim to consider the male-female binary opposition and its migration to a hybrid space centered on the French language – the language of the former colonizer. This generates what the author calls her androgynous state representing, in a Platonic sense, the union of masculine and feminine. Djebar argues that the French language allows her to cross the line that separates the sexes in Muslim society. Thus, this type of writing that refuses bipolarity generates a linguistic wandering characterized by plurality and movement. http://www.jhss.ro/downloads/15/articles/1%20Garoiu.pdfAssia Djebarmasculin-femininAlgerian Francophone literatureFrench languageMuslim society |
| collection |
DOAJ |
| language |
deu |
| format |
Article |
| sources |
DOAJ |
| author |
Monica Garoiu |
| spellingShingle |
Monica Garoiu La dichotomie de l’espace dans L’Amour, la fantasia d’Assia Djebar Journal of Humanistic and Social Studies Assia Djebar masculin-feminin Algerian Francophone literature French language Muslim society |
| author_facet |
Monica Garoiu |
| author_sort |
Monica Garoiu |
| title |
La dichotomie de l’espace dans L’Amour, la fantasia d’Assia Djebar |
| title_short |
La dichotomie de l’espace dans L’Amour, la fantasia d’Assia Djebar |
| title_full |
La dichotomie de l’espace dans L’Amour, la fantasia d’Assia Djebar |
| title_fullStr |
La dichotomie de l’espace dans L’Amour, la fantasia d’Assia Djebar |
| title_full_unstemmed |
La dichotomie de l’espace dans L’Amour, la fantasia d’Assia Djebar |
| title_sort |
la dichotomie de l’espace dans l’amour, la fantasia d’assia djebar |
| publisher |
Editura Universităţii Aurel Vlaicu Arad |
| series |
Journal of Humanistic and Social Studies |
| issn |
2067-6557 2247-2371 |
| publishDate |
2017-05-01 |
| description |
Assia Djebar’s literary work is based on a dichotomy of space that reflects
the gender segregation in Muslim society where women are confined to the
domestic space while men occupy the public space. By analyzing Djebar’s
autobiographical novel Fantasia: An Algerian Cavalcade (1985), we aim to
consider the male-female binary opposition and its migration to a hybrid space
centered on the French language – the language of the former colonizer. This
generates what the author calls her androgynous state representing, in a Platonic
sense, the union of masculine and feminine. Djebar argues that the French
language allows her to cross the line that separates the sexes in Muslim society.
Thus, this type of writing that refuses bipolarity generates a linguistic
wandering characterized by plurality and movement.
|
| topic |
Assia Djebar masculin-feminin Algerian Francophone literature French language Muslim society |
| url |
http://www.jhss.ro/downloads/15/articles/1%20Garoiu.pdf |
| work_keys_str_mv |
AT monicagaroiu ladichotomiedelespacedanslamourlafantasiadassiadjebar |
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1724240537999900672 |