Institutionality and aesthetic canons: the Beautiful art in Chile since the fundation of the painting Academy up to the Centenary

<p>The Fine Arts in Chile were dependent to the guidelines of the state and some social groups during the second half of the XIX century and first decades of the XX mainly. Since the foundation of the Academy of Painting, the government and the social oligarchies had a very tutelary role over...

Full description

Bibliographic Details
Main Authors: Pedro Emilio Zamorano Pérez, Claudio Cortés López, Alberto Madrid Letelier
Format: Article
Language:Spanish
Published: Universidad de Granada 2016-12-01
Series:Cuadernos de Arte de la Universidad de Granada
Subjects:
Online Access:http://revistaseug.ugr.es/index.php/caug/article/view/5422

Similar Items