Por Llanos y Montañas: Creemos en la Historía: An Inquiry into the 1961 Cuban Literacy Campaign using Photographic Representation

In 1961, the Revolutionary government in Cuba initiated a literacy campaign that became the vehicle for social change in the country, affirming the value of education, healthcare, citizenship, professional development and the concept of family and community. As an artful researcher revisiting the im...

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Main Author: Joanne C. Elvy
Format: Article
Language:English
Published: University of Windsor 2011-01-01
Series:Journal of Teaching and Learning
Online Access:https://jtl.uwindsor.ca/index.php/jtl/article/view/2901
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spelling doaj-a4e7c5ce6b8a4d429f045ce4d85e79d22020-11-25T02:53:20ZengUniversity of WindsorJournal of Teaching and Learning1911-82792011-01-017210.22329/jtl.v7i2.2901Por Llanos y Montañas: Creemos en la Historía: An Inquiry into the 1961 Cuban Literacy Campaign using Photographic RepresentationJoanne C. Elvy0Algoma UniversityIn 1961, the Revolutionary government in Cuba initiated a literacy campaign that became the vehicle for social change in the country, affirming the value of education, healthcare, citizenship, professional development and the concept of family and community. As an artful researcher revisiting the impact of this educational initiative, my intent was to incorporate photographs into my research as a kind of language, a felt knowledge. Photography thus became a vital part of my methodological process as an important research and presentation tool, in respect to my engagement as a researcher from outside the Cuban experience, together with the audience’s interaction with the resulting images (Cixous, Barthes, Jongeward, Robins, et al). The photograph has also been a metaphor for the complexity of how Cuba is understood within an historical context; in how it deflects from linear readings of past events, into a space where stories can be revisited as part of a shared experience (Irwin-Zarecka, Steedman, Thelen, et al).https://jtl.uwindsor.ca/index.php/jtl/article/view/2901
collection DOAJ
language English
format Article
sources DOAJ
author Joanne C. Elvy
spellingShingle Joanne C. Elvy
Por Llanos y Montañas: Creemos en la Historía: An Inquiry into the 1961 Cuban Literacy Campaign using Photographic Representation
Journal of Teaching and Learning
author_facet Joanne C. Elvy
author_sort Joanne C. Elvy
title Por Llanos y Montañas: Creemos en la Historía: An Inquiry into the 1961 Cuban Literacy Campaign using Photographic Representation
title_short Por Llanos y Montañas: Creemos en la Historía: An Inquiry into the 1961 Cuban Literacy Campaign using Photographic Representation
title_full Por Llanos y Montañas: Creemos en la Historía: An Inquiry into the 1961 Cuban Literacy Campaign using Photographic Representation
title_fullStr Por Llanos y Montañas: Creemos en la Historía: An Inquiry into the 1961 Cuban Literacy Campaign using Photographic Representation
title_full_unstemmed Por Llanos y Montañas: Creemos en la Historía: An Inquiry into the 1961 Cuban Literacy Campaign using Photographic Representation
title_sort por llanos y montañas: creemos en la historía: an inquiry into the 1961 cuban literacy campaign using photographic representation
publisher University of Windsor
series Journal of Teaching and Learning
issn 1911-8279
publishDate 2011-01-01
description In 1961, the Revolutionary government in Cuba initiated a literacy campaign that became the vehicle for social change in the country, affirming the value of education, healthcare, citizenship, professional development and the concept of family and community. As an artful researcher revisiting the impact of this educational initiative, my intent was to incorporate photographs into my research as a kind of language, a felt knowledge. Photography thus became a vital part of my methodological process as an important research and presentation tool, in respect to my engagement as a researcher from outside the Cuban experience, together with the audience’s interaction with the resulting images (Cixous, Barthes, Jongeward, Robins, et al). The photograph has also been a metaphor for the complexity of how Cuba is understood within an historical context; in how it deflects from linear readings of past events, into a space where stories can be revisited as part of a shared experience (Irwin-Zarecka, Steedman, Thelen, et al).
url https://jtl.uwindsor.ca/index.php/jtl/article/view/2901
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