| Summary: | The paper suggests that architectural making, a process of research in practice, and itself a bridging between the space of experience and the horizon of expectations, corresponds to phenomenology as a method of inquiry. This includes architectural phases parallel to epoché, phenomenological reduction, free variations, transcendental intuition of the essence, and description. The paper describes the in-between, its two edges, experience and expectations, and their mutual influences through the process of architectural making. Examples from the design studio and professional literature illustrate the argumentation. The in-between is presented as structured, notably having a depth—the ineffable origin of creativity. In conclusion, the paper suggests that the edges and the in-between are temporary configurations in flux, wherein the architect makes use of his/her most inner resources, as a contribution to the metamorphosis and revitalization of his/her culture.
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