Femminilità tradita e violata nel teatro del Sud: Gianfranco Berardi, Saverio La Ruina, Spiro Scimone e Vincenzo Pirrotta

In this paper we wont to analyze a particular trend of contemporary theatre in which the authors-menactors, who almost came from southern Italy, starring female characters on stage without excessive external disguise. Intense and engaging performances, where the disguise is minimal but who are able,...

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Main Author: Elisabetta Reale
Format: Article
Language:Italian
Published: Edizioni Museo Pasqualino 2020-10-01
Series:Mantichora
Online Access:https://cab.unime.it/journals/index.php/IJPS/article/view/2830
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spelling doaj-a40cf3ae9e4e4251b4bf75a82b704fe42020-11-25T04:11:25ZitaEdizioni Museo PasqualinoMantichora2240-53802020-10-011010.6092/2240-5380/1.2011.%p2239Femminilità tradita e violata nel teatro del Sud: Gianfranco Berardi, Saverio La Ruina, Spiro Scimone e Vincenzo PirrottaElisabetta RealeIn this paper we wont to analyze a particular trend of contemporary theatre in which the authors-menactors, who almost came from southern Italy, starring female characters on stage without excessive external disguise. Intense and engaging performances, where the disguise is minimal but who are able, through the power of words and gestures, to make on the scene all the tragic stories of women's fragile, each authoractor with his own personal style. Under study will be four different authors – Saverio La Ruina, Vincenzo Pirrotta, Spiro Scimone, Gianfranco Berardi – came from Sicilia, Calabria, Puglia and his personal way to be a woman, and to understand how this happens we will proceed with a little analysis of not only their performance but also theories of sexual identity and queer studies.https://cab.unime.it/journals/index.php/IJPS/article/view/2830
collection DOAJ
language Italian
format Article
sources DOAJ
author Elisabetta Reale
spellingShingle Elisabetta Reale
Femminilità tradita e violata nel teatro del Sud: Gianfranco Berardi, Saverio La Ruina, Spiro Scimone e Vincenzo Pirrotta
Mantichora
author_facet Elisabetta Reale
author_sort Elisabetta Reale
title Femminilità tradita e violata nel teatro del Sud: Gianfranco Berardi, Saverio La Ruina, Spiro Scimone e Vincenzo Pirrotta
title_short Femminilità tradita e violata nel teatro del Sud: Gianfranco Berardi, Saverio La Ruina, Spiro Scimone e Vincenzo Pirrotta
title_full Femminilità tradita e violata nel teatro del Sud: Gianfranco Berardi, Saverio La Ruina, Spiro Scimone e Vincenzo Pirrotta
title_fullStr Femminilità tradita e violata nel teatro del Sud: Gianfranco Berardi, Saverio La Ruina, Spiro Scimone e Vincenzo Pirrotta
title_full_unstemmed Femminilità tradita e violata nel teatro del Sud: Gianfranco Berardi, Saverio La Ruina, Spiro Scimone e Vincenzo Pirrotta
title_sort femminilità tradita e violata nel teatro del sud: gianfranco berardi, saverio la ruina, spiro scimone e vincenzo pirrotta
publisher Edizioni Museo Pasqualino
series Mantichora
issn 2240-5380
publishDate 2020-10-01
description In this paper we wont to analyze a particular trend of contemporary theatre in which the authors-menactors, who almost came from southern Italy, starring female characters on stage without excessive external disguise. Intense and engaging performances, where the disguise is minimal but who are able, through the power of words and gestures, to make on the scene all the tragic stories of women's fragile, each authoractor with his own personal style. Under study will be four different authors – Saverio La Ruina, Vincenzo Pirrotta, Spiro Scimone, Gianfranco Berardi – came from Sicilia, Calabria, Puglia and his personal way to be a woman, and to understand how this happens we will proceed with a little analysis of not only their performance but also theories of sexual identity and queer studies.
url https://cab.unime.it/journals/index.php/IJPS/article/view/2830
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